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FEVER 333 drummer Aric Improta played his first show with KORN Friday night (October 15) at the T-Mobile Arena in Las Vegas, Nevada. He is filling in for regular KORN drummer Ray Luzier, who is sitting out three of the band's concerts after testing positive for COVID-19, the disease caused by the novel coronavirus. Improta will play with KORN again tonight (Saturday, October 16) at Save Mart Center in Fresno, California and again on Monday (October 18) at Oakland Arena in Oakland, California before Luzier's anticipated return on October 22 at the Banc Of California Stadium in Los Angeles, California. Luzier is the third member of KORN to miss shows on the band's current tour after being diagnosed with COVID-19. Last month, guitarist James "Munky" Shaffer sat out several dates and was temporarily replaced by J.R. Bareis, who is also in the band LOVE AND DEATH with KORN guitarist Brian "Head" Welch. Bareis previously stepped in for Shaffer in August 2019 when Munky was forced to miss several KORN shows due to the impending birth of his child. In early August, singer Jonathan Davis contracted the virus, forcing the postponement of six dates and cancelation of two on KORN's U.S. tour. At some of KORN's shows, Davis had been taking a seat on a custom throne near the drum riser due to lingering effects of his bout with COVID-19. In video footage of KORN's August 27 concert in Tinley Park, Illinois — his first gig back after revealing his positive diagnosis — Davis could be seen walking slowly around the stage, coughing and appearing to take a minute to catch his breath. According to TMZ, Davis also took occasional hits from an oxygen tank set up near this throne. Bareis was not the only session musician to play with KORN on the current tour. Bassist Roberto "Ra" Díaz (SUICIDAL TENDENCIES) is filling in for Reginald "Fieldy" Arvizu after Fieldy announced in June that he would sit out the trek in order to "heal" after "falling back" on some of his "bad habits."
Posted: October 16, 2021, 8:30 pm
Andréa Meyer, the German recording artist, writer, actress and model who released several albums under the Nebelhexë moniker, is one of five people who were killed in a bow-and-arrow attack in a quiet Norwegian town earlier this week. She was 52 years old. Espen Andersen Braathen, a 37-year-old Danish citizen, was arrested Wednesday night (October 13), after he began his deadly rampage targeting random people at a supermarket and other locations in Kongsberg, where he lived. Brathen, a Muslim convert, has been detained in a medical facility pending psychiatric evaluation. Police inspector Per Thomas Omholt described Brathen as "'not very social" and told the media that "all the indications are that he chose his victims at random" and acted alone. Although Brathen allegedly posted a video to social media in 2017 in which he issued a "warning" and declared his Muslim faith, Omholt told reporters that "the thinking is that he did not take [the conversion] very seriously. By this we mean that he did not follow or practice the traditions that are common in this culture and religion," the inspector said. Last year, a court reportedly granted a restraining order for Braathen to stay away from his parents for six months after he threatened to kill one of them. He is also said to have a conviction for burglary and drug possession. Meyer, who also lived in Kongsberg, was previously married to EMPEROR guitarist Tomas "Samoth" Haugen, with whom she shared a daughter, Alva. Under the Nebelhexë banner, Andréa released three albums: "Laguz - Within The Lake", "Essensual" and "Dead Waters". She was also a writer of thought-provoking articles about the darker aspects of human nature, animalistic instincts and other esoteric/taboo subjects which became quite popular in the alternative and metal music scenes. In addition, she wrote a book about the understanding of northern myths, traditions and goddess worship. She had a column in a Norwegian gothic magazine called "Seriously - The Things That Irritate Nebelhexë". Originally looking at a model career in London, Andréa soon quit that "shallow scene" in search of dares, pure life and the human spirit. Always shocked by human ignorance and apathy, and always spiritual, mystical and with a deep connection to animals, she found her kindred spirits in diverse magical and esoteric circles and soon after enchanted and impressed the elite of the "left hand path". Exploring her fascination for the "dark and animalistic" a wee bit further, she got involved with Anton La Vey's church, became a fetish model and a known act with notorious artistic performances (such as CRADLE OF FILTH shows). Andréa started to express herself through music, and under the name of Nebelhexë, she initially made an impact with the obscure, ghostly dark ambient music project AGHAST, which was released in 1994. Then she took a big detour and explored pagan folk music elements with HAGALAZ' RUNEDANCE before she "came back to herself again." Andréa also made guest appearances on CRADLE OF FILTH's "The Principle Of Evil Made Flesh" and SATYRICON's "Nemesis Divina" albums. Former MORBID ANGEL frontman David Vincent was among the fellow musicians who paid tribute to Meyer in the wake of her passing. He wrote on social media: "Sad to learn that my friend was amongst those senselessly murdered in Norway terror attack. She was a beautiful, creative artist and she will be missed dearly. Goodbye for now Andrea". CRADLE OF FILTH wrote: "R.I.P. Andrea Meyer. "Andrea guested on our debut album 'The Principle Of Evil Made Flesh' and also modelled and danced for us onstage as well as presiding over ritual back in our formative years. "She will be sadly missed and our deep felt love and sympathies go out to her kith and kin."
Sad to learn that my friend was amongst those senselessly murdered in Norway terror attack. She was a beautiful, creative artist and she will be missed dearly. Goodbye for now Andrea Posted by Official David Vincent on Saturday, October 16, 2021
Andrea Meyer. You created pagan inspired music, 15 years before everyone else thought it was cool. Rest in peace, old friend ?. Posted by Mortiis on Saturday, October 16, 2021
Posted: October 16, 2021, 5:04 pm
Gary Holt says that he "highly doubts" there will ever be a SLAYER reunion. The EXODUS leader, who spent almost nine years touring with SLAYER, discussed the possibility of the latter band coming back while being interviewed by Australia's "Scars And Guitars" podcast. Asked what the most enjoyable part was of being part of SLAYER's final tour, Holt said (as transcribed by BLABBERMOUTH.NET): "Just the amount of people that came out to see it, especially the amount of people who flew in for the final two shows was epic. And it was emotional. Tears were shed while playing 'Angel Of Death', and who would have ever thought that would happen? Who plays 'Angel Of Death' [while] trying to keep the tears at bay for the last fucking time? But it was an awesome, awesome, moving thing — an amazing part of my life." As for the possibility of SLAYER ever returning for more live shows, Holt said: "I highly doubt it… To my knowledge, it'll never happen again. To my knowledge, I don't know at the same time. Maybe someday someone just offers so much money that it changes people's minds. But the band went out on a fucking super-high note, on top, and why sully that? I mean, we've already outlasted MÖTLEY CRÜE's retirement. [Laughs] Well, theirs has gone a little longer because of the pandemic, but it took them — what? — a year to decide they'd tour again." Holt began filling in for SLAYER guitarist Jeff Hanneman at live shows in 2011, and became the band's full-time co-guitarist as of 2013, while remaining a member of EXODUS. Holt played on SLAYER's final album, "Repentless", which came out in 2015. Back in March, Holt told Headbangers Con that he would be open to playing with SLAYER again if the band ever decided to come back. "Look, if the powers that be ever — like, in a year or something — said, 'Hey, you know what? We feel like playing some shows,' I'm there to do it," Holt said. "But those aren't decisions for me to make, or even me to really speculate on. As far as my knowledge, the band is over, and the final show was November 30th, 2019. And I'm full speed ahead with EXODUS now." SLAYER guitarist Kerry King made headlines earlier this week when he said that the band retired "too early." While recording a short video message to congratulate MACHINE HEAD on the San Francisco Bay Area act's 30th anniversary, he said: "So, I hear congratulations are in order for my friends in MACHINE HEAD. Apparently, it's 30 years, which is quite an achievement. Not a lot of bands get there. We did, and then we quit too early. Fuck us. Fuck me. I hate fucking not playing." SLAYER played the final show of its farewell tour in November 2019 at the Forum in Los Angeles. One day later, Kerry's wife Ayesha King said that there is "not a chance in hell" that the thrash metal icons will reunite for more live appearances. In August 2020, she once again shot down the possibility of her husband and bassist/vocalist Tom Araya sharing the stage ever again under the SLAYER banner. After Ayesha shared three photos of Kerry holding their cat in slideshow-type Instagram post, a fan wrote: "No Tom, No SLAYER Kerry. Stop thinking SLAYER without @tomarayaofficial". Ayesha then replied: "don't worry, they'll never be SLAYER again! You can rest easy". SLAYER's final world tour began on May 10, 2018 with the band's intention to play as many places as possible, to make it easy for the fans to see one last SLAYER show and say goodbye. By the time the 18-month trek wrapped at the Forum, the band had completed seven tour legs plus a series of one-off major summer festivals, performing more than 140 shows in 30 countries and 40 U.S. states. Last year, SLAYER drummer Paul Bostaph confirmed that he is involved in a brand new project headed up by Kerry. The duo spent much of the last year and a half working on music with the hopes of recording it properly once the coronavirus pandemic has subsided.
Posted: October 16, 2021, 3:52 pm
Mitch Malloy, who auditioned to replace Sammy Hagar in VAN HALEN in the summer of 1996, celebrated Eddie Van Halen's musical legacy with MITCH MALLOY'S VH EXPERIENCE on October 9 at Mattie Kelly Arts Village in Destin, Florida. Mitch was backed by a band featuring Pete Thorn (Chris Cornell, Don Henley, Melissa Etheridge) on guitar, Daniel Spriewald (Phil X of BON JOVI) on bass, and Wayne Killius (Keith Urban, BIG & RICH, Luke Bryan) on drums. More fan-filmed video footage of the concert can be seen below. Malloy told the story of his day at Eddie Van Halen's 5150 studios to Melodic Rock: "A guy who worked for their management at the time used to be my road manager and he kept calling me and telling me they were going to fire Sammy and that I was going to be the next singer in VAN HALEN. And he was calling and calling and finally I got annoyed by this and told him to stop and that I didn't think I was a good fit in VAN HALEN and that if he was serious, he should have Ed call me. A week later, Desmond Child calls me and says he has just left Ed's house and was writing with them and that they were talking about me and that they were watching my 'Anything At All' video, and that he told them that I was perfect for them, and that they would be lucky to get me. And before I knew it, I was on a plane to L.A. Ed did call, a bunch of times. He was great." According to Malloy, Eddie told him he was in the band on his third day in the studio. But when Eddie, Michael Anthony and Alex Van Halen stepped onstage with their estranged singer David Lee Roth for the first time in 12 years at the 1996 MTV Video Music Awards, Mitch knew that his dream gig had fallen apart. "I'm sitting, watching TV there by myself," Mitch told Rolling Stone. "It wasn't good. I think literally, my jaw dropped. So in that moment, I was shocked. And you know how sometimes as humans we just know some things? You just know it. You don't have to say it. Nobody has to say anything. People just know things. And that moment that Roth walked out behind them, I knew it was over. I am not going to be in VAN HALEN. I just knew somehow. And so that was it for me. I was just like, 'That's it. This can't happen now.' I just knew it. It was just … a wall came down. But it just felt like it was over, somehow. It was like, 'This can't work now.' Not because people won't accept me. But there's just something else going on that I didn't even fully understand at the time. You know what I mean? It was like a knife sliced through and just, it was over. I think it's the only time it's ever happened to me in my life, where it was that definitive. And I had a lot going on at the time, aside from VAN HALEN. Real promise with my career moving forward. So it wasn't, for me, my only thing. I wasn't like, 'Oh, my God! This has got to happen,' kind of thing. Of course, I really did want it to happen. But who wouldn't?" VAN HALEN's next singer ended up being Gary Cherone, former frontman for the band EXTREME. His only album with the group was "Van Halen III", which was a critical and commercial disappointment. Hagar and Roth both rejoined VAN HALEN at various points since 2003, with the latter appearing on VAN HALEN's final album, 2012's "A Different Kind Of Truth". Malloy's involvement with VAN HALEN is the focus of a short documentary, "Mitch Malloy: Van Halen's Lost Boy", which was uploaded to YouTube in 2013. In 2018, Malloy joined GREAT WHITE as the replacement for Terry Ilous. Mitch relocated to Destin, Florida from Nashville, Tennessee in 2019.

pic.twitter.com/J1xXWm3faT

— Mitch Malloy (@mitchmalloy) September 9, 2021
Posted: October 16, 2021, 2:58 pm
In a new interview with Radio Forrest, legendary drummer Carmine Appice was asked what he thinks John Bonham picked up from him in terms of his sound and playing style when VANILLA FUDGE and LED ZEPPELIN played together in the late 1960s. He responded (as transcribed by BLABBERMOUTH.NET): "According to the [John Bonham] book 'A Thunder Of Drums', I was one of his influences. So that means that he picked up a lot of the power that I use. 'Cause, basically, when you look back at the drummers who were influential and who were around inspiring people, it was Mitch Mitchell, Ginger Baker, Keith Moon and me and Dino Danelli. All the other four guys, they played light. I played really loud with a lot of power and showmanship. And when John saw me live, he loved it, and he loved my big drums. So he asked me if I could help him get a Ludwig endorsement. "I mean, think about it — nobody knew him," Carmine explained. "It's hard to believe now. People say when I talk about it like I'm egoing out. I'm not really egoing out; I'm just telling the truth. Nobody knew John Bonham. And I called Ludwig and said, 'I think this guy's gonna be big. He wants a kit just like mine. It would be great if you give him an endorsement.' And on my word they did. And we sent them the first album, and on that they gave him an endorsement. He wasn't known yet. And then on the next tour, we did a lot of shows together, and he had the same exact drum set as me. And he was playing like me, he was doing the twirls like me, grabbing the cymbals like me. And he'd look at me when he did it, and we'd laugh. I'd give him a thumbs-up. We were friends. Me and [VANILLA FUDGE bassist] Tim [Bogert], on that tour, jammed with ZEPPELIN on one of the songs." Back in 2014, Carmine said that he would love to play with a reunited LED ZEPPELIN, claiming that he is a better fit to replace Bonham than John's son Jason. "Everybody in that band there is legendary… They're old school and legendary. Jason isn't legendary, and he's not old school," Appice explained to the "Totally Driven Radio" podcast. "He's John Bonham's son, but he don't play like John Bonham. He plays more… He plays like him. He's not John. He's got that name, but he's not John Bonham. I'm not John Bonham either, but I think my style might be close, 'cause I came first, and John listened to stuff I did and did it his own way. And we took 'em on their first tour. It's very close-sounding stuff in feel." Carmine previously said that Bonham took the bass drum triplets from the VANILLA FUDGE song "Ticket To Ride", telling Classic Rock Revisited in a 2006 interview: "When I first heard John Bonham do that triplet thing on the bass drum, I went up to him and said, 'John, that is amazing. I have to admit that I took that from you.' He looked at me and said, 'What are you talking about? I took that from you!' I replied, 'I don't do that. You couldn't have taken it from me.' He proceeded to tell me where I did actually do that on the first VANILLA FUDGE record and he was right. I only did it for a moment on that album and he took it and made something bigger and better out of it." Last year, VANILLA FUDGE released a remastered version of its cover of LED ZEPPELIN's "Immigrant Song" via Golden Robot Records.
Posted: October 16, 2021, 2:22 pm
The legendary Floridian death metal band MASSACRE has returned from the beyond. The seminal act's roster, past and present, has included musicians from bands such as KREATOR, DEATH, OBITUARY, NASTY SAVAGE, SIX FEET UNDER, DOWN BY LAW and more. Remarkably, the sheer number of musicians involved has exceeded a couple dozen. In recent years, core, longtime members Rick Rozz and Terry Butler have departed, and in certain cases the splits have been acrimonious, to say the least. In any event, a couple of members involved with the band's classic era (vocalist Kam Lee and bassist Michael Borders) have brought in new blood (drummer Brynjar Helgetun and guitarists Scott Fairfax, Rogga Johansson and Jonny Pettersson) to release the band's fourth album, "Resurgence". While the album doesn't reach the high watermarks set by the unit's infamous debut, it certainly will scratch the itch of many who are yearning for an authentic taste of late eighties, early nineties death metal glory. Some would contend that the lineup behind "Resurgence" isn't representative of the "true" MASSACRE, and in fairness, the blade cuts both ways, as Borders mentioned via a press release, "Our loyal longtime fans will instantly get it. They will be, 'Cool, a real MASSACRE album — not a fake one.'" Bands change over time in countless ways, from sound and style all the way over to personnel, and the new members are not newcomers to the genre. The lineup very much constitutes a legitimate band that clearly has chemistry. "Resurgence" is head and shoulders above MASSACRE's second and third albums, 1996's "Promise" and 2014's "Back from Beyond". Lee and company have expressed their intentions for "Resurgence" to stand as the proper follow-up to "From Beyond". Similarly, the way that album's savage opener "Dawn of Eternity" starts with a teasing, epic intro, so too does "Resurgence" begin with a comparable intro and lead-in riff with "Eldritch Prophecy". MASSACRE strike a fine balance between raw, classic death metal and a version of metal that's more contemporary, augmented with touches of melody. This isn't a negative, however, "Resurgence" is a winner because it isn't a simple rehash. "Into The Far-Off Void" is another standout track, one that will invariably scratch the bellies of the old guard. It sounds like a song that fans wanted to hear on their nineties, sophomore effort, "Promise". "Return Of The Corpse Grinder" rounds out the album with what's more than an overt nod and wink to "Corpse Grinder" from "From Beyond", a dirty little ditty about grave desecration and necrophilia. It's a worthy, utterly savage and catchy "part two" to the classic song MASSACRE technically covered from DEATH's demo "Reign of Terror". For those unfamiliar, Kam Lee and guitarist Rick Rozz were two-thirds of DEATH's line-up on that 1984 demo. And yes, CANNIBAL CORPSE vocalist George "Corpsegrinder" Fisher's first band used that moniker before it became his nickname. Expecting a classic band to reach the stars in the same way that it once did is an unfair expectation, but it is an inevitable one. Sure, "Resurgence" isn't going to leave the indelible impression that "From Beyond" did. But there is no question that "Resurgence" is a fantastic, "true" death metal album that should satiate both elitists and newbies alike.
Posted: October 16, 2021, 1:40 pm
TRIVIUM bassist Paolo Gregoletto spoke to Mankato, Minnesota's "Midwest Beatdown" radio show about the COVID-19 "scare" he and his bandmates experienced early in their recently completed U.S. tour with MEGADETH, LAMB OF GOD and HATEBREED. "The Metal Tour Of The Year" marked the four groups' first run of concerts since the start of the pandemic. "Right after show three in Houston, our tour manager started getting kind of a dry cough," he recalled (as transcribed by BLABBERMOUTH.NET). "He kept his mask on a lot of the time in our dressing room, and I'm, like, 'You know what? I bet he doesn't feel good right now,' and I had a suspicion, but I didn't say anything. And I went to bed that night, got up. We were in Odessa for a day off. We all went out to dinner — crew and band — except for our tour manager; he was staying back. I figured it was for tour manager business stuff. I get a text at the end of the meal, and he was, like, 'Yup. I have COVID. We're gonna have to, obviously, inform the tour.' And so our brains are, like, 'Oh, man. We've gotta devise a plan here before we say anything.' And so we all went back to the bus. We had a bunch of tests with us. We got a couple of extras. Everyone tested. No one else was positive. We caught up our manager. We caught up the tour. We pretty much said, 'Look, we're not gonna cancel a show. Everyone's good. We're all isolated from our tour manager. We'll test tomorrow and as many days in a row as you want.' And no one ever got sick on our bus except for our tour manager. And we kept going. That was basically it. "There was really no rule kind of set up how that was gonna work," Paolo continued. "But what we've been seeing people do is, okay, someone on a [tour] package will get sick, and they'll be, like, 'well, everyone's gonna take 10 days' or something to quarantine — whatever people are doing. And we were, like, it's not possible. There's too much at stake for a tour this size, or any tour, really. 'Cause if you start canceling shows, the margin is very, very thin with that kind of stuff; it's not sustainable. So we were just, like, 'Look, if no one is sick, the show must go on.' So that's what we did. HATEBREED's sound guy helped us out big time by filling in on monitors. Our assistant tour manager picked up the slack for the shows, and then our tour manager was just e-mailing — Zooming in; [sending] e-mails, doing all the stuff he had to do. And he came back when he was fine, and that was it. And we kept rolling." Gregoletto added: "It was scary, obviously, but I was also kind of relieved to have that happen right away, 'cause it's, like, once you kind of know what it could be once it happens… It's kind of like Matt [Heafy, TRIVIUM frontman] when he got sick [with COVID-19] way before the tour, it's scary 'cause you've been trying to avoid it the whole time, but then, when you get through it, you're, like, 'All right. I felt bad for a few days and now I'm good.' It felt good to just have that happen, and we dealt with it, and the show went on. And we didn't publicize it 'cause we didn't wanna [create] any sort of doubt that the tour was gonna get canceled, that shows would get canceled. 'Cause it's crazy times right now. I'm sure a lot of people have seen bands are dropping from tours and stuff, and we just didn't wanna do that. So we chose this way instead." The last three shows of "The Metal Tour Of The Year" — in Toronto, Laval and Quebec City — were postponed to spring 2022 due to restrictions in the Quebec province and international logistical issues. TRIVIUM's tenth album, "In The Court Of The Dragon", was released on October 8 via longtime label Roadrunner Records. The record was produced and mixed by Josh Wilbur and recorded in the fall of 2020 at Full Sail University in Orlando. The album cover is an original oil painting by French artist Mathieu Nozieres.
Posted: October 16, 2021, 1:24 pm
YouTube channel Heavy Metal Hill has uploaded video footage of Geoff Tate's October 15 performance at The Canyon in Agoura Hills, California. Tate's current tour is celebrating the 30th anniversary of QUEENSRŸCHE's "Empire" and "Rage For Order" albums. 1986's "Rage For Order" introduced a much more polished look and sound for QUEENSRŸCHE. The album featured keyboards as prominently as guitars, and the group adopted an image more closely associated with glam rock or glam metal than with heavy metal (of which glam metal was a subgenre). A video was filmed for the song "Gonna Get Close to You", originally recorded in 1984 by DALBELLO. Released in 1990, "Empire" included the hit ballad "Silent Lucidity", which reached No. 9 on the Billboard singles chart, helped propel "Empire" to No. 7 on the album chart and earned two Grammy Award nominations. Prior to the launch of the trek in early 2020, Tate told MisplacedStraws.com that he would take the "Empire 30th Anniversary Tour" to "as many countries as I can and playing the album in its entirety, which I've never done before. So that'll be real fun. In fact, I think there's some songs on that album that I've never, ever played live before, so it'll be a treat — for me, as well, I think, for the audience too," the former QUEENSRŸCHE singer said. "I'm really looking forward to that." Tate told Eonmusic that one song from "Empire" that was rarely performed live is "Anybody Listening?" "When QUEENSRŸCHE was together, we never really put that song in our set," he said. "We just had a hard time playing it, for some reason; it just never jelled or felt right. And I'd really like to play that song again, and play it right." In April 2014, Tate and QUEENSRŸCHE announced that a settlement had been reached after a nearly two-year legal battle where the singer sued over the rights to the QUEENSRŸCHE name after being fired in 2012. Original QUEENSRŸCHE members Michael Wilton (guitar), Scott Rockenfield (drums) and Eddie Jackson (bass) responded with a countersuit. The settlement included an agreement that Wilton, Rockenfield and Jackson would continue as QUEENSRŸCHE, while Tate would have the sole right to perform the albums "Operation: Mindcrime" and "Operation: Mindcrime II" in their entirety live. Tate was replaced in QUEENSRŸCHE by former CRIMSON GLORY singer Todd La Torre. Geoff recently celebrated the 30th anniversary of "Operation: Mindcrime" on European and U.S. tours.
Posted: October 16, 2021, 12:23 pm
To celebrate MACHINE HEAD's 30th anniversary, fan Anas Al-Ethawi teamed up with some of his fellow fans from around the world to put together a video of what the San Francisco Bay Area metal band means to them. The resulting 19-minute video has been uploaded to MACHINE HEAD's official YouTube channel and can be seen below. Says MACHINE HEAD: "We are blown away by the sentiment, love and time taken by everyone involved to create this video and it was, quite frankly, a little overwhelming to watch. We feel so honored to have the Head Cases in this video, and hundreds of thousands more like them around the globe, in our corner. Thank you all for your support over these last 30 years and beers up for many more to come!" On October 12, 1991 at the Oakland, California "Day On The Green" concert, a young Robb Flynn stood watching METALLICA perform the "Black" album for the first time and made the decision to start and mastermind his own band. Originally intended to be just a side project, after paying his dues in the underground Bay Area thrash scene as lead guitarist in both FORBIDDEN and VIO-LENCE, by February '92 MACHINE HEAD would become Flynn's full-time project and under his stewardship grew to become a worldwide force in metal. Now some 30 years later, MACHINE HEAD is recognized as one of metal's most influential and pioneering bands, with countless sold-out world tours, gold and silver records, Grammy nominations, hundreds of millions of streams and over four million records sold under their belt, and that's without even mentioning their legions of devoted fans worldwide, affectionately known as "Head Cases." Says singer/guitarist Robb Flynn: "Thank you so much to the friends, tourmates and brothers and sisters in metal, that contributed to this. We are beyond grateful, genuinely humbled, and honored by your words. To all the bandmembers past and present who contributed riffs, ideas, melodies and lyrics, thank you for everything you brought and bring to the table. To Tony Costanza, who I wish was here to celebrate this moment with us, rest in power. Massive respect to the Head Cases that have fought side by side with us, stood with us through thick and thin, and believed for 30 years. We love you crazy motherfuckers." This past June, MACHINE HEAD released the "Arrows In Words From The Sky" single. Featuring the tracks "Become The Firestorm", "Rotten" and "Arrows In Words From The Sky", the effort was recorded at Sharkbite Studios in Oakland, California. Joining Flynn and MACHINE HEAD bassist Jared MacEachern during the sessions were drummer Navene Koperweiss (ENTHEOS, WHITECHAPEL, ANIMALS AS LEADERS) and producer Zack Ohren. In November 2020, MACHINE HEAD released a new single, "My Hands Are Empty", via Nuclear Blast. The song marked the first musical collaboration between Flynn and original "Burn My Eyes" guitarist Logan Mader in 24 years. "My Hands Are Empty" was just one in a line of singles to be released by MACHINE HEAD, which issued "Do Or Die" in October 2019, "Circle The Drain" in February 2020, and the two-song digital single "Civil Unrest", consisting of "Stop The Bleeding" and "Bulletproof", in June 2020. "Stop The Bleeding" featured guest vocals from KILLSWITCH ENGAGE frontman Jesse Leach, and was written and recorded just days after the murders of George Floyd and Ahmaud Arbery. Four months ago, MACHINE HEAD announced that it was abandoning plans to resume its "Burn My Eyes" 25th-anniversary tour now that the pandemic is slowing down. Flynn said that the "Burn My Eyes" tour, which saw him and MacEachern play the band's classic debut album in its entirety for the first time ever, with original "Burn My Eyes"-era drummer Chris Kontos and Mader joining in, would not pick up at such a time as MACHINE HEAD can continue touring. Flynn also confirmed that MacEachern is still a member of MACHINE HEAD alongside new recruits, guitarist Wacław "Vogg" Kiełtyka (DECAPITATED) and British drummer Matt Alston
Posted: October 16, 2021, 11:36 am
In a recent interview with the Reel Talker web site, PUDDLE OF MUDD frontman Wes Scantlin was asked what "the chicks" are like when you are a "rock star" on the road. He responded: "I've just got this to say: when you're on tour and you're a singer, we're constantly trying to rest our voices so we can perform well. And girls, man, they will keep you up, man — they will keep you up too late, too late. And whatever things they've got in their pockets, we don't need that either. So, yeah, the best thing to do is just kind of stick with the wolfpack — just hang with your pack and do not veer away from safety. And just stay focused, stay the course. "There's nothing wrong with women, but you've gotta stay the course and you've gotta be a professional person," he continued. "Or else you'll wake up and whatever chicks, they're keeping you up and you don't get no sleep and then you suck at singing. And then you're just, like, 'Fuck, man. What have I done?' "Ain't nothing wrong with the ladies, but they just keep you up a little too long," Scantlin repeated. PUDDLE OF MUDD has played a number of U.S. shows in support of the band's latest album, "Welcome To Galvania". "Welcome To Galvania" was released in 2019 via Pavement Entertainment. PUDDLE OF MUDD's first album in a decade consisted of ten new tracks and was produced by Cameron Webb (ALKALINE TRIO, DISTURBED, MOTÖRHEAD). PUDDLE OF MUDD was formed in 1991 in Kansas City by Scantlin, the only original member still with the band. Wes had almost non-stop problems with the law, alcohol, finances and other issues, before finally getting sober in 2017. He and the rest of PUDDLE OF MUDD rebuilt a touring base, which paved the way to new music and a new album. Scantlin said that he ended up going back to rehab and receiving treatment "because there's really nowhere else to go." He also credited his family and fans for giving him the strength to try to get better. PUDDLE OF MUDD broke into the mainstream with 2001's "Come Clean", which yielded three hits — "Control", "Blurry" and "She Hates Me".
Posted: October 16, 2021, 11:17 am
According to the National Post, a heavy metal-loving high school principal in Canada will be allowed to keep her job, days after a public campaign to oust her made headlines around the globe. Parents at Eden High School in St. Catharines, Ontario launched a petition to remove principal Sharon Burns after discovering she's an IRON MAIDEN fan. The petition, titled "Eden High School Principal, Sharon Burns, Needs to Be Transferred Immediately!" read, "We are deeply disturbed that the principal assigned to the school blatantly showed Satanic symbols and her allegiance to Satanic practices on her public social media platforms where all the students can see them under @edenprincipal (not her personal account)." More than 500 people signed the petition to transfer Burns after she posted a picture of herself flashing the "devil horns" hand sign with a doll of the MAIDEN zombie mascot Eddie behind her as well as a personalized license plate reading "IRNMADEN" and a handwritten note that reads "Eddie 666" on a car's dashboard. The number 666 is used to represent the devil, and is featured prominently in MAIDEN's artwork by the band, whose classic third album is titled "The Number Of The Beast". The petition was later updated to state that the demand for her transfer is not because of her love for metal, but for "openly displaying her own handmade sign with the 666 clearly displayed on it". The creator of the original petition wrote: "Sharon knows full well what she did was simply inappropriate, unnecessary and not professional but has yet to publicly admit so and is willing to allow people to believe a completely different story, making very real concerns seem petty." Meanwhile, a counter-petition supporting Burns garnered over 20,000 signatures. "It is ridiculous that a couple of parents judge her role as a principal only based on an Instagram post. (About liking the band IRON MAIDEN. That's it.) Eden High School is a public school. Not a Christian school," the petition titled "We need Mrs Burns" stated. "She has made Eden a safe space for so many people. She spreads nothing but love and kindness." After the complaints were aired, the District School Board of Niagara spoke with Burns and the parents who launched the petition, and the issue is over as far as the board is concerned, Kim Sweeney, the board's chief communications officer, told the National Post. No disciplinary action or policy changes were needed. "Our belief is that taste in music is subjective and we support that both students and staff enjoy a wide variety of genres," Sweeney said. The original petition has since been removed.
Worried parents complained that rocker's Instagram posts 'blatantly showed Satanic symbols and allegiance to Satanic practices' Posted by National Post on Friday, October 15, 2021
Posted: October 16, 2021, 10:25 am
KISS frontman Paul Stanley has weighed in on the controversy that erupted after a district leader in Texas asked teachers to offer students books with an "opposing perspective" of the Holocaust. During a meeting last week between teachers and Gina Peddy, the executive director of curriculum, they discussed which books teachers should have in their libraries. NBC News, which obtained audio of the meeting from an unnamed employee, said that the subject of recent statewide legislation, as well as the Holocaust, came up. "Just try to remember the concepts of [House Bill] 3979," Peddy could be heard saying on tape, according to NBC News. "And make sure that if you have a book on the Holocaust, that you have one that has an opposing, that has other perspectives." A teacher at the meeting asked, "How do you oppose the Holocaust?" Peddy responded, "Believe me. That's come up," according to NBC News. According to NPR, House Bill 3979, which went into effect last month, mandates, among other things, that if public school teachers choose to discuss current events or widely debated or controversial public policy or social issues, they should present numerous points of view "without giving deference to any one perspective." On Thursday, Stanley, who is Jewish, took to his Twitter to share the NBC News article, and included the following message: "This is so FUCKED. There will ALWAYS be 'opposing views' but there are NEVER opposing FACTS." TWISTED SISTER's Jay Jay French agreed, chiming in in a tweet: "completely insane. and you can thank Trump for unleashing the stupids". Superintendent Lane Ledbetter has since issued a statement via Facebook apologizing for the incident. "As the Superintendent of Schools, I express my sincere apology regarding the online article and news story released today," he wrote. "During the conversations with teachers during last week's meeting, the comments made were in no way to convey that the Holocaust was anything less than a terrible event in history." "Additionally, we recognize there are not two sides of the Holocaust," he continued. "As we continue to work through implementation of HB3979, we also understand this bill does not require an opposing viewpoint on historical facts. As a district we will work to add clarity to our expectations for teachers and once again apologize for any hurt or confusion this has caused."

This is so FUCKED. There will ALWAYS be “opposing views” but there are NEVER opposing FACTS. https://t.co/p9ys5zDWEs

— Paul Stanley (@PaulStanleyLive) October 14, 2021

completely insane. and you can thank Trump for unleashing the stupids

— Jay Jay French (@jayjayfrench) October 14, 2021
Posted: October 16, 2021, 9:21 am
SYSTEM OF A DOWN played the songs "Protect The Land" and "Genocidal Humanoidz" live for the very first time during its October 15 concert at the T-Mobile Arena in Las Vegas, Nevada. Front-row fan-filmed video footage of the performance can be seen below. "Protect The Land" and "Genocidal Humanoidz" are the only two songs the Los Angeles-based outfit has managed to record since ending its hiatus in 2011. Released last November, the tracks were motivated by the recently erupted conflict between Artsakh and Azerbaijan, with all proceeds supporting humanitarian efforts in SYSTEM OF A DOWN's ancestral homeland of Armenia. Along with other donations from fans on their social pages, they have raised over $600,000. This past April, SYSTEM OF A DOWN singer Serj Tankian once again spoke about his band's inability to record a full-length follow-up to its "Mezmerize" and "Hypnotize" LPs, which came out in 2005. Asked by Consequence Of Sound whether it was rewarding recording the aforementioned two songs with SYSTEM, Serj said: "Honestly, I'm extremely proud of us getting together for our people and the cause, at a time where Azerbaijan and Turkey not only attacked Armenians in Artsakh with military equipment, but they also attacked the Armenian nation with disinformation around the world, using caviar diplomacy over the years. Azerbaijan bought off a lot of politicians and they tried to create false parody in journalism and in the media — and it succeeded for a little while. So, I'm proud to say that our songs coming out, especially the video for 'Protect The Land', really kind of bit into that all in one day — just kind of boom, let the world know that these are people living on their own indigenous land, they're being attacked, they're trying to protect their families, and they're dying because you got the second largest NATO ally Turkey basically attacking them along with Azerbaijan — both dictatorships attacking a democratic, progressive, first Christian nation society." He later added: "So, I'm really proud of the work that we've done with SYSTEM OF A DOWN, and it does give me hope that one day we might be able to get it together and do something again together. I think we were able to do it because we were able to put aside our philosophies and our creative differences even, and just go, 'Who's got a song that'll work?,' because at this point it's just a weapon for truth and not about us. And it worked." In 2018, SYSTEM guitarist/vocalist Daron Malakian publicly accused Tankian of not wanting to record, with Tankian responding that creative and financial issues with Malakian led to the stalemate. In a message on Facebook, Tankian wrote that Malakian wanted to control SYSTEM's creative process, take more of the publishing money and be the only band member to speak to the press. In a recent interview with Guitar World magazine, Malakian was asked about the chances of more new music from SYSTEM OF A DOWN in the near future. He responded: "I never say never, but at the same time, I'm not expecting to do any more with SYSTEM OF A DOWN right away or immediately after [these two songs]. It really does seem like our fans like these new songs. That's important to me." He continued: "We've added two new songs to the SYSTEM catalog that are on the level with everything else that we've put out and our fans have accepted it that way, which means a lot to me. That's kinda where we're gonna leave it for now. If more happens later on, then we'll talk about that, but for now I will continue doing what I'm doing and everyone else will just continue what they're doing. It's all cool though, I'm really pleased with the response we got."
Posted: October 16, 2021, 8:56 am
MÖTLEY CRÜE singer Vince Neil suffered a serious injury when he fell off the stage during his solo band's performance earlier tonight (Friday, October 15) at the Monsters On The Mountain festival at LeConte Center in Pigeon Forge, Tennessee. According to Metal Sludge, the incident occurred early into the set — while the group was performing "Don't Go Away Mad (Just Go Away)", a CRÜE classic which has been a staple of the singer's solo shows. In fan-filmed video of the episode, which is available below, Vince can be seen encouraging the crowd to clap at the end of the song while taking a step or two forward toward the front left side of the stage before losing his footing and falling off. According to TMZ, it "turns out there was a small gap between the speaker and the stage that Vince didn't see and he fell through the crevice onto the floor…. His roadie and a security guy helped him get to his feet, and Vince limped away." A short time later, bassist Dana Strum addressed the crowd about the extent of Neil's injuries, saying: "The truth is Vince fell and broke ribs when he fell. He can't breathe and he's gonna get dealt with medically. Now, that sucks for us, and him. He was so excited to be here. He lives in Tennessee. But he was willing to stick it out and tough it out when the people back here were telling him 'Don't do it.' Let's have one good round of applause, please, for this guy." According to sources cited by Metal Sludge, Neil was taken away in an ambulance. Monsters On The Mountain event co-host Eddie Trunk later tweeted that Neil is "at hospital now getting care & X Rays." Vince's band reportedly finished its Monsters On The Mountain set, with guitarist Jeff Blando taking over lead vocal duties. Last month, Vince revealed that he was trying out a new toning machine in an apparent effort to get in shape for MÖTLEY CRÜE's upcoming "The Stadium Tour". The singer said he was using Emsculpt Neo, a revolutionary new treatment which supposedly builds muscle and reduces fat using both radio frequency and high-intensity electromagnetic energies. Four months ago, Neil made headlines when he struggled to complete his solo concert at the Boone Iowa River Valley Festival in Boone. Based on fan-filmed video footage of the May 29 gig posted on YouTube, the 60-year-old rocker, who hadn't performed in more than a year and a half due to the COVID-19 pandemic, began losing his voice several songs into his set, which consisted exclusively of CRÜE classics and cover songs previously recorded by the band. MÖTLEY CRÜE's "The Stadium Tour" with DEF LEPPARD, POISON and JOAN JETT & THE BLACKHEARTS was originally scheduled to take place last summer but ended up being pushed back to 2021, and then to 2022, due to the coronavirus pandemic.

That explains why I lost track of him in this video. I apparently captured the fall at the end of this clip. Totally agree that he looked great and was singing great. Hope the X-rays are clear and you bounce back quickly @thevinceneil pic.twitter.com/jfWT6c3rVb

— Darrell Jenkins (@bigdoftn) October 16, 2021
So, Vince Neil took the stage tonight and into the third song he fell off the stage and broke his ribs. Check it out Posted by Joe Wintrow on Friday, October 15, 2021

Breaking News from Metal Sludge!

Vince Neil has fallen at tonight’s Monsters on the Mountain festival and is being taken to a local area hospital now. pic.twitter.com/ahERWH34jr — metalsludge (@MetalSludge) October 16, 2021
Posted: October 15, 2021, 11:05 pm
Founding QUEENSRŸCHE drummer Scott Rockenfield has filed a lawsuit against the band's fellow original members Michael Wilton (guitar) and Eddie Jackson (bass), alleging, among other things, breach of contract, breach of fiduciary duty and wrongful discharge. Metal Sludge was the first to report on the lawsuit, which was filed on October 11 in Snohomish County Superior Court. In the complaint, which has been obtained by BLABBERMOUTH.NET, Rockenfield claims that he took paternal leave of absence from QUEENSRŸCHE in February 2017 after his fiancée experienced complications during the birth of their son and had to have an emergency Cesarean delivery. According to the drummer, his leave of absence was approved by the members of QUEENSRŸCHE and he was to retain an equal one-third interest in all QUEENSRŸCHE companies (QR Companies), including Tri-Ryche Corporation, Melodisc LTD., Queensryche Merchandising, Inc., EMS Music, LLC and Queensryche Holdings, LLC. In Scott's complaint, he claims that "Rockenfield, Wilton and Jackson are the remaining members of the band QUEENSRŸCHE, as well as the sole or majority shareholders and members of the entities controlling the intellectual property and contractual rights of said group, to wit the QR Companies." Scott alleges that or about October 11, 2018, Wilton and Jackson purportedly "voted to dismiss Rockenfield from the QR Companies due in whole or in part to his taking of approved family leave. Rockenfield was informed of his purported dismissal from the QR Companies in a letter dated November 3, 2018." According to Rockenfield's complaint, since 2017, Wilton and Jackson "have wrongfully withheld from Rockenfield all sources of income from the QR Companies in violation of the various Operating Agreements and Contracts governing the QR Companies for no lawful purpose." In addition, they "have failed to provide Rockenfield with an accounting of the books, records, business and contracts of the QR Companies." Although Rockfenfield says he has continued to receive royalties from Tri-Ryche since February 2017 for the old catalogue, he claims he has "received no payments from Melodisc since February 2017, and no payments from Queensryche Merchandising since early 2018, and no payments from EMS since February 2017." Rockfenfield also claims that Wilton and Jackson did not include him in the recording QUEENSRŸCHE's latest album, "The Verdict", "despite his availability and willingness to participate." During all of 2017 and 2018, Rockenfield claims, he "remained active in all aspects of the QR Companies' business, song writing, licensing options, and communications with the exception of touring. "During his family medical leave, Rockenfield was in constant and continued communication with the band, participated in writing songs, and prepared for the band's recording schedule that was set to begin in early 2018," the complaint reads. "In October 2018, Rockenfield participated in negotiating a new extension of QUEENSRŸCHE's 2013 recording contract with Century Media, which would add two (2) additional albums to the recording contract, and continued to work to secure seven very lucrative licensing offers on behalf of QUEENSRŸCHE," according to the lawsuit. Rockenfield claims to be "owed compensation for lost wages and profits as, as well as an amount equal to the present fair market value of his equity interest in the QR Companies as of his wrongful dismissal, plus interest thereon." Rockenfield's lawsuit, which also names Wilton and Jackson's wives as defendants, comes nine months after he shot down suggestions that he quit QUEENSRŸCHE or retired from playing music. In January, the drummer shared an update on Facebook in which he said that fans "have not been given the facts by any means" and implied that he would offer more details at a later date. Scott's January 2021 comments marked the first time he had publicly addressed his status with QUEENSRŸCHE, which has used former KAMELOT drummer Casey Grillo for touring purposes since April 2017. In May, Rockenfield launched a cryptic new QUEENSRŸCHE-centric web site that implied he was plotting his return to the music scene. A week after Rockenfield went live with his Queensryche2021.com web site, QUEENSRŸCHE singer Todd La Torre announced that he was selling one of four remaining pairs of drum sticks that were used by Scott during the drum recordings of the band's 2013 self-titled album. The following day, Rockenfield returned to his Facebook page to seemingly take a swipe at Todd over the move, writing: "As a corp brand business owner for over 40 years now, I was once asked: if an 'employee/hired hand/sub contractor/or other similar employed individual' is engaging in unacceptable and disparaging remarks towards their so called 'EMPLOYER or BENEFACTOR', then more than likely this person still needs to be educated and nurtured to gain some much needed experience and to hopefully then have some respect and gratitude". This past February, La Torre was asked during an appearance on "The Eddie Trunk Podcast" if anybody in QUEENSRŸCHE has heard directly from Scott regarding his status with the group. He responded: "Not to my knowledge. All I can tell you is he took paternity leave, saying he would be gone for about six months, and that was four years ago. [Laughs] Casey shows up every day. He shows up to songwrite, he shows up to record, if needed, and he shows up for the live gigs. So that's all that I can tell you. I haven't communicated with [Scott] in years. So I have no idea what he's up to. I couldn't even tell you." When DJ Eddie Trunk said that he heard from Rockenfield two years ago and that the drummer expressed an interest at the time in telling his story, La Torre replied: "I don't know what story there is to tell. People ask, but, honestly, it is literally like déjà vu. Go play the answer I gave you four years ago, because, literally, nothing has changed. "As far as I understand, there really isn't communication [between Scott and the QUEENSRŸCHE camp]. And I couldn't tell you anything more than that. Some people think, 'They're not telling us more.' I don't have anything to say, 'cause I don't talk to him; he doesn't talk to me. Casey's been playing with us for four years — going on four years — and he shows up. The guy is doing an awesome job. "I guess I'd revert back to you," Todd continued. "If you left your radio show saying that you needed six months paternity leave but you never communicated when you were coming back for four years, would the radio station stop running because you quit showing up to work? And keep in mind, you weren't fired, and you didn't give official written notice that you're never gonna come back; you just don't come back or communicate. Does your key still work? Is your name on the door? Or are they gonna find adequate talent replacement to keep things going? "So I don't have anything bad to say," La Torre clarified. "I don't really have anything to say, other than he asked for paternity leave and just hasn't come back." The drum tracks on "The Verdict" were laid down by La Torre. Last year, original QUEENSRŸCHE singer Geoff Tate expressed his doubt that Rockenfield will ever play drums again, telling Metal Rules that Scott "has a lot of medical problems and things like that now." In 2019, Tate told 88.1FM WESU's weekly syndicated radio show "Noize In The Attic" that he was "pretty sure" Scott "didn't leave" QUEENSRŸCHE of his own accord. "I can tell you that there's lawsuits involved; I know that," he said. "He's in kind of a really dark place, and I hope he gets some help, 'cause he's really unraveled, you know? In my opinion. It's too bad — he's an incredibly talented drummer, and unfortunately, he never was happy with that. It wasn't good enough for him." In April 2014, Tate and QUEENSRŸCHE announced that a settlement had been reached after a nearly two-year legal battle where the singer sued over the rights to the QUEENSRŸCHE name after being fired in 2012. Wilton, Rockenfield and Jackson responded with a countersuit. The settlement included an agreement that Wilton, Rockenfield and Jackson would continue as QUEENSRŸCHE, while Tate would have the sole right to perform the albums "Operation: Mindcrime" and "Operation: Mindcrime II" in their entirety live.
Posted: October 15, 2021, 7:35 pm
Jay Jay French, founder, guitarist and manager of the world-famous heavy metal institution TWISTED SISTER, has scheduled in-store appearances to promote his new "bizoir" — part memoir and part business primer — "Twisted Business: Lessons From My Life In Rock 'N' Roll", in New York City and West Babylon, New York. Join French on Saturday, November 6 at 4 p.m. at New York City's Generation Records. The appearance will include a discussion with French, moderated by the New York Hardcore Chronicles Live! host Drew Stone. Generation Records 210 Thompson Street, New York, NY 10012 (212) 254-1100 www.generationrecords.com On Sunday, November 7, French will appear in West Babylon, New York, with a signing at Looney Tunes record store beginning at 4 p.m. Purchase copies of the book now to receive a wristband. Looney Tunes Record Store 31 Brookvale Avenue West Babylon, NY 11704 631-587-7722 www.looneytuneslongisland.com In addition to founding TWISTED SISTER, a world-famous heavy metal band that has sold more than 20 million records worldwide, French is one of the top entrepreneurs in entertainment. After taking over as manager in the 1970s, French developed TWISTED SISTER into the most heavily licensed heavy metal band in history, leading the group to perform more than 9,000 shows in forty countries. Available now via RosettaBooks, "Twisted Business" is an unexpected, inspiring, whirlwind story of transformation and redemption. "Twisted Business" follows French's adventure-filled life — from growing up in New York City in the sixties, to working as a drug dealer and struggling as an addict before quitting cold-turkey, and finally, to creating and cultivating TWISTED SISTER and turning it into one of the most successful brands in the world. Together with his mentor, Steve Farber, a best-selling author and one of the world's top leadership and management experts, French offers unique, hard-earned tips and advice from his nearly 50 years as a musician, music business manager, and entrepreneur. French shows how, through tenacity, grit, and dedication, anyone can create their own brand, grow a successful business, re-invent themselves, or simply find success in what they love to do. Entertaining, provocative, funny, and informative, this book is the trip of a lifetime and a treasured guide for entrepreneurs, business people, and music fans alike. French's two biggest hits with TWISTED SISTER, the rock anthems "We're Not Gonna Take It" and "I Wanna Rock", have become two of the most licensed songs in the history of heavy metal, appearing in hundreds of TV, radio and internet commercials, movies and TV shows. French currently oversees all music licensing and all business regarding TWISTED SISTER. In addition to his career as a musician, manager, producer and executive producer, French is a highly sought-after keynote speaker, as well contributing writer for business magazine Inc.com, pens a BEATLES column for Goldmine called "Now, We're Sixty Four" and writes a an audio column for Copper, an online music and high end audio magazine published through PS Audio.
Posted: October 15, 2021, 5:21 pm
Legendary progressive rockers YES — consisting of Steve Howe, Alan White, Geoff Downes, Jon Davison and Billy Sherwood — have unveiled the video for "Future Memories". It marks the third single and video from their new album "The Quest", which came out October 1 on InsideOut Music/Sony Music and produced by Steve Howe. Much of the music for "The Quest" was "written in late 2019 with the rest in 2020," says Howe. "We commissioned several orchestrations to augment and enhance the overall sound of these fresh new recordings, hoping that our emphasis on melody, coupled with some expansive instrumental solo breaks, keeps up the momentum for our listeners." "The Quest" was recorded across the globe. The sessions took place in the U.K. with Howe, Downes and Davison, while White and Sherwood got together in the studio in the U.S. "Billy Sherwood and myself did all the rhythm sections, bass and drum, in America," says White, "down in Los Angeles at Uncle Studios, where he works a lot. It helps when you've got a good place to work," Alan laughs, "and Billy's really good on the recording desk, so we got things down relatively quickly. I spent quite a while studying the music before I went down to L.A. so I was prepared." The cover artwork was designed and created by the band's longtime collaborator Roger Dean. "The Quest" 2CD digipak track listing: CD1: 01. The Ice Bridge 7.01 02. Dare To Know 6.00 03. Minus The Man 5.35 04. Leave Well Alone 8.06 05. The Western Edge 4.26 06. Future Memories 5.08 07. Music To My Ears 4.41 08. A Living Island 6.52 CD2: 01. Sister Sleeping Soul 4.51 02. Mystery Tour 3.33 03. Damaged World 5.20 For half a century, YES has been the definitive band of the progressive music genre, the band by which all others are judged. Their groundbreaking albums of the 1970s set the standard for the genre and influenced countless others who followed in their wake. The current lineup of YES was completed in 2015 when Sherwood replaced founder member Chris Squire, at Squire's insistence, as he bravely fought a losing battle with leukaemia. Since then, YES has concentrated on touring with their Album Series tours, each featuring a classic YES album in its entirety. During this period, YES has released three live albums, "Topographic Drama - Live Across America" (2017), "Yes Live 50" (2019) and "The Royal Affair Tour: Live In Las Vegas" (2020). Photo credit: Gottlieb Bros
Posted: October 15, 2021, 4:48 pm
This past July, WHITESNAKE announced that it had enlisted Croatian singer/multi-instrumentalist Dino Jelusick for its upcoming tour. Jelusick is a member of multi-platinum selling band TRANS-SIBERIAN ORCHESTRA and was previously part of DIRTY SHIRLEY (with George Lynch), ANIMAL DRIVE and recorded with many others. Dino has been singing, touring and recording since the age of five. Other than being a frontman, his main instrument are keyboards but he also plays bass, guitar and drums. He finished music academy and did theater work. Asked in a new interview with Antihero Magazine what Dino's role will be on WHITESNAKE's final tour, the band's leader David Coverdale said: "He's going to be the way I have two guitar players. "I've always seen WHITESNAKE as an orchestra," he explained. "I don't see it as a band-band. I don't want two guitarists playing exactly the same song, or just harmony guitars, I want two opposing… you've got the incendiary Joel Hoekstra, entirely different to the electrifying Reb Beach. And this is not to overwhelm Michele [Luppi, WHITESNAKE keyboardist]. Michele's totally secure. I adore him and what he brings to WHITESNAKE. "In 2019, Dino's band opened for us in Zagreb, and this is very rare for me, and I went, 'Who the fuck is that?' And I was going, 'Wow, that kid's great.' And Joel said, 'Yeah, I worked with him in the TRANS-SIBERIAN ORCHESTRA. He's a great guy.' And I said, 'That guy's a snake, dude.' And I said, 'Don't say anything yet. I'm going to keep my eyes and ears on him.' "So, I think it's going to be fantastic," Coverdale added. "I'm going to have an orchestra of keyboards for a lot of songs on WHITESNAKE which are big epics, that make them even more musically orchestrated without having an orchestra on stage with us. "I mean, the guy's great, I can't wait to sing with him. I already have three singers who are good enough to be frontman singers, with Michael Devin and Michele Luppi, and Reb Beach; they are really great singers. What's wrong with having another one? And I think he's a super guy. He has his challenges legally at the moment, but talent, belief, and courage will always win. And I can't wait for us to start rehearsals, I really can't. It's got to be exciting to me and adding another spice to an already good cocktail." Last month, Dino told Mónica Moreira of More Than Words about his involvement with WHITESNAKE: "Well, David mentioned that he would love to fly me [to] his house and that he would love [for] me and him to write some songs for WHITESNAKE. "I'll be playing keyboards. I'll be doing backing vocals. I'll be playing guitars on a couple of songs," he explained. "And that's as far as I know." Asked if he is in any way a bit sad to know that this will be probably WHITESNAKE's farewell tour, Dino said: "Well, no. Every band has an expire date. WHITESNAKE has been going for 40, 50 years now. More than 40 years — since '78 or '77, when the first album came out. But I'm proud to be the last WHITESNAKE member ever. When you see the guys that played in this band. You had Jon Lord. You had Don Airey on keyboards. You had Timothy Drury, Michele Luppi and myself. It's five keyboardists of WHITESNAKE. There were a couple of more playing live — yeah, Paul Mirkovich was in 1994, playing that leg. Yeah, there were a couple of more. But, yeah, it's definitely a beautiful part of history in the making." When Jelusick's addition to WHITESNAKE was first announced, David said in a statement: "I am absolutely delighted to welcome the extremely gifted Dino Jelusick to WHITESNAKE. We've had our eyes and ears on him since we played Zagreb together two years ago. You're going to love him!" Dino said he has been influenced by WHITESNAKE and Coverdale from an early age. "I am beyond honored to be part of one of my favorite bands of all time," he said. "To get the phone call from David Coverdale is something every singer and musician of my generation can only dream of; it still feels completely surreal. I cannot wait to start hitting the road with WHITESNAKE and, as the great DC said to me himself, to give a piece of my identity to the sound of this iconic band." On October 29, WHITESNAKE will release newly remastered and remixed CD and LP deluxe editions of "Restless Heart", along with unreleased demos and studio outtakes and a DVD. The DVD includes music videos and a behind-the-scenes look at the making of the album with new interviews from Coverdale. The set comes with a hardbound book filled with rare and unseen photos from the era. Coverdale, who will turn 70 on September 22, recently confirmed that he plans to retire from touring after WHITESNAKE's next batch of concerts around the world. Coverdale had both his knees replaced with titanium in 2017 after suffering from degenerative arthritis. He later explained that he was in so much pain with arthritis in his knees that it hampered his ability to perform live. WHITESNAKE had been touring in support of its latest album, "Flesh & Blood", which was released in May 2019 via Frontiers Music Srl.
Posted: October 15, 2021, 4:36 pm
MÖTLEY CRÜE frontman Vince Neil and his solo band performed last night (Thursday, October 14) at Seminole Hard Rock Hotel & Casino in Tampa, Florida. Fan-filmed video footage of the concert can be seen below. Last month, Vince revealed that he was trying out a new toning machine in an apparent effort to get in shape for MÖTLEY CRÜE's upcoming "The Stadium Tour". The singer said he was using Emsculpt Neo, a revolutionary new treatment which supposedly builds muscle and reduces fat using both radio frequency and high-intensity electromagnetic energies. Four months ago, Neil made headlines when he struggled to complete his solo concert at the Boone Iowa River Valley Festival in Boone. Based on fan-filmed video footage of the May 29 gig posted on YouTube, the 60-year-old rocker, who hadn't performed in more than a year and a half due to the COVID-19 pandemic, began losing his voice several songs into his set, which consisted exclusively of CRÜE classics and cover songs previously recorded by the band. Earlier this month, MÖTLEY CRÜE bassist Nikki Sixx told Yahoo! Entertainment that Vince "has this amazing, unique voice — sometimes like Robert Plant, Perry Farrell… They have these interesting voices that are… they're not pitchy; they're just raw and just kind of on top. I always loved that about Vince's voice, and I would write for Vince." He added: "Vince will tell you, 'Nikki wrote all those lyrics for me.' I did. I gave him stuff. I understand his voice so much." Sixx also speculated how different CRÜE would have sounded if it was fronted by a vocalist with a bluesier tone. "I got lucky," he said. "I got a guy with a really different voice. Imagine if he was a bluesy singer — if he was a David Coverdale? I love David; I love his voice. Or Glenn Hughes. [They are] some of my favorite people and favorite musicians… Could he deliver 'Bastard'? Could he deliver 'Dropping Like Flies'? Could he deliver 'Generation Swine'? I don't know, I'll never know. But I do love that about MÖTLEY CRÜE that we kind of four individually… I don't know. It's almost like we don't belong together. We're all so weird and different and it makes for some really interesting magic." MÖTLEY CRÜE's "The Stadium Tour" with DEF LEPPARD, POISON and JOAN JETT & THE BLACKHEARTS was originally scheduled to take place last summer but ended up being pushed back to 2021, and then to 2022, due to the coronavirus pandemic.
Vince Neil is back! Smoking! Posted by Rob Tough on Thursday, October 14, 2021
Vince Neil!! Singing all the old Motley Crue songs. Awesome!! Posted by Lynne Smiley Sadowski on Thursday, October 14, 2021
Bryan told me we were going to an Enya concert lol … Vince Neil Posted by Jeana Maser on Thursday, October 14, 2021
Vince Neil from Motley Crue in Tampa tonight! Watch for more pics tomorrow on Geno’s page at myQ105.com! Posted by Q105 WRBQ on Thursday, October 14, 2021
Posted: October 15, 2021, 3:56 pm
EMIGRATE, the side project of RAMMSTEIN guitarist Richard Z. Kruspe, will release its fourth album, "The Persistence Of Memory", on November 5. The LP's third single, a cover of the classic song "Always On My Mind", featuring a guest appearance by RAMMSTEIN singer Till Lindemann, can be streamed below. "The Persistence Of Memory", which was named after a Salvador Dalí painting, features the following tracks: 01. Rage 02. Always On My Mind (feat. Till Lindemann) 03. Freeze My Mind 04. Yeah Yeah Yeah 05. Come Over 06. You Can't Run Away 07. Hypothetical 08. Blood Stained Wedding 09. I Will Let You Go As a member of RAMMSTEIN, the music world's most explosive live act, Kruspe has been part of a ground-breaking global success story that continues to build and to ignite; along the way, he's turned his attention to a number of parallel projects, such as constructing a studio (and a home) in his native Berlin, but it's his decision to launch the EMIGRATE setup that has given him the greatest chance to satisfy creative instincts outside of the parent group. The first EMIGRATE album appeared in 2007 (a self-titled record that went Top 10 in Germany, with single/video "My World" appearing on the soundtrack to the third "Resident Evil" movie); "Silent So Long" followed in 2014, featuring guest vocals from such high-profile artists as Marilyn Manson, Jonathan Davis, Peaches and the legend that will always be Lemmy. EMIGRATE's third album, "A Million Degrees" came out in November 2018 and was described as "less a successor to 'Silent So Long' and more a re-booted take on the overall concept, continuing Kruspe's desire to craft something personal." "I really want the freedom to collaborate with different people and to explore different kinds of music," Kruspe explained when "A Million Degrees" was first released, "to express myself as both a writer and a singer away from deadlines, timelines and other such restrictions. The idea is to keep experimenting and to keep challenging myself. Plus, EMIGRATE works in an organic way, so musicians can come and go, and it's still okay, it's positive…" RAMMSTEIN's seventh, untitled album came out in May 2019 via UME/Spinefarm in Europe and Caroline Records in the U.S. RAMMSTEIN will bring its full-scale stadium production to North America for the first time ever in the summer of 2022.
Posted: October 15, 2021, 2:50 pm

 

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