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Axl Rose has called on Jerome Adams to resign. The GUNS N' ROSES singer made the comment hours after the United States surgeon general refused to give a yes or no answer when asked if he would advise people to attend large gatherings over the 4th of July weekend. Adams appeared on "Today" Friday (July 3) to talk about Fourth of July celebrations slated for Mount Rushmore and Washington, D.C., neither of which will make masks mandatory for people in attendance Asked by "Today"'s Craig Melvin if he would "advise someone to go to a large gathering, yes or no," Adams responded: "Craig, it's not a yes or no. Every single person has to make up their own mind. There are going to be people going to beaches, going to barbecues, going to different environments and they have to look at their individual risk. "As you mentioned, CDC says larger gatherings are a higher risk," he continued. "You have to take that into account again with whether or not you're at risk, whether you live with someone who is vulnerable. And then you have to take measures to stay safe. And the most important thing I would say to people is if you do go out to a gathering or in public, please wear a face covering." Earlier today, Rose took to his Twitter account to write: "Jerome Adams is a: A coward b: A POS c: Both "Resign. U don't deserve the job or title. America deserves better." Axl is no fan of the current occupant of the Oval Office, having taken to Twitter a number of times in the past couple of years to slam President Donald Trump, his administration and his policies. This past May, Rose took a shot at U.S. Treasury Secretary Steve Mnuchin, calling him "an asshole." The politician then returned fire asking Rose what he'd done for the country lately, but mistakenly inserting an emoji of the Liberian flag instead of the U.S. flag. The exchange caught the eyes of "Saturday Night Live" and "Last Week Tonight With John Oliver", who both poked fun at the battle. Rose also recently criticized a decision by the sheriff of Orange County, California to not enforce beach closures that were mandated by the state's governor. Back in November 2016, Rose took to Twitter to condemn then-President-elect Donald Trump's choice for U.S. attorney general, and to berate Trump for demanding an apology from the cast of the Broadway show "Hamilton" after then-Vice President-elect Mike Pence was booed when he attended the musical. One month later, Rose invited fans at a GUNS N' ROSES concert in Mexico City to beat the crap out of a large piñata designed to look like Trump. In January 2018, Axl blasted the Trump administration as the "gold standard of what can be considered disgraceful." Photo credit: Katarina Benzova

Jerome Adams is a: A coward b: A POS c: Both Resign. U don’t deserve the job or title. America deserves better.

— Axl Rose (@axlrose) July 3, 2020
Posted: July 3, 2020, 7:36 pm
Will Carroll says that he is "cool" with Chuck Billy, two months after the TESTAMENT singer publicly wondered if he had contracted COVID-19 from the DEATH ANGEL drummer when the two bands toured together. Carroll, who spent almost two weeks on a ventilator in an intensive care unit at a Northern California hospital, told San Francisco's KRON-TV that he "knew" he had been infected with the coronavirus while he was still in Europe. "Halfway through the tour, people started getting sick and it started spreading from one person to the other," the drummer said. "Once I did get sick, the third or fourth to last day [of the tour], it hit me pretty hard and I knew I probably had COVID. I just knew it." This past April, Billy was asked by Hot Metal if he was aware that Carroll and some of the other members of DEATH ANGEL were "quite ill" while they were still on the road in Europe, Billy said: "No. Because it was the last three days, I think [Will] said, of the tour [that he first started feeling sick]. But no, he didn't say he was sick or had it or thought he had it, but, you know, I think he should have said something. Unfortunately, I don't think it was cool… I mean, he could have got stuck in Europe for a long time. With his problems, he could have been on a ventilator in Europe… But, again, to think that he was ill, just to get on that plane and spread it himself if he was contagious, that's kind of… a little wrong." Billy was then asked by Hot Metal whether he has any idea how he might have contracted COVID-19. He said: "I don't. But being the band, we are amongst ourselves — the three bands," referring to TESTAMENT, DEATH ANGEL and EXODUS. "We really didn't go and walk through the crowds or nothing. So we were isolated to ourselves. So if Will did get us sick, maybe it was that last hug on stage, that last show when Will was around us all. I don't know — if he thought he was really ill at that point. Because we didn't have a lot of public interaction with each other — it was mostly just all three bands and crews. So, we don't know. It could have been that last night. Or it could have been at the airport, because some of the people on the bus didn't get sick, who slept in the same areas with us and were really close to us. So maybe we got it at the airport that last night. Maybe we got it on the plane coming home. We just don't know… But we do know that we all came down [with it] around the same time. I think if Will was sick first, if they were sick first, maybe they must have gave it to us — I don't know — but the rest of our band and crew started feeling it, like, a day after we got home." Carroll addressed Billy's comments during a May 26 chat with Rock Immortal Productions' "Rock Talk" live interview series. He said (hear audio below): "It was the last two days of the tour, and I just thought I had like a tour cold or a tour flu or something. It didn't really get serious until the flight home when I started breaking out in sweats and I had terrible fever that I started thinking, 'Oh, I might have the virus. I feel really terrible.' So it didn't really cross my mind to let people know. But I was taking precautionary steps, like I wasn't hanging out after those last couple of shows. I wasn't part of the afterparty or hanging out backstage. I was going straight to the bus and going to my bunk and sleeping. I stopped drinking." Asked what the first symptoms were when he started getting sick, Carroll said: "Achy muscles and just lack of energy, kind of. Oddly enough, though, I guess 'cause my endorphins were kicking in, it didn't affect my performances; I was able to play drums and perform like I normally do. But after the show, I would crash right back down and feel weird." According to Will, he has since talked to Chuck, and there are no hard feelings between them. "I was a little surprised when I saw the article, and I contacted him right away via text message, and we went back and forth, and everything's cool," he explained. "I read the full article that Chuck's [quotes were] taken from on Blabbermouth. It was kind of taken out of context… So, if you read the whole interview from the original [source] — it was for some metal 'zine or something — it didn't come out bad the way it did on Blabbermouth; it didn't sound like he was slamming me. But, like I said, I was surprised when I saw it, and I did contact him. We're all cool — I love Chuck and I love Tiff [Chuck's wife Tiffany], and we always have a lot of fun on tour together, and I look forward to doing more tours with them." Carroll added; "Fuck Blabbermouth. [Laughs] When I contacted Chuck, he had no idea what I was talking about. I was, like, 'Well, did you read Blabbermouth?' And he's, like, 'I don't read that site.' [Laughs]" Hot Metal's entire interview with Billy can be heard at the magazine's Patreon pay site. Billy was one of the first metal musicians to test positive for COVID-19, the disease caused by the new coronavirus. Chuck later revealed that TESTAMENT bassist Steve DiGiorgio was also diagnosed with the disease. COVID-19 symptoms vary widely, and undertesting in many countries means that many people may have already had the coronavirus without having received a positive diagnosis. EXODUS guitarist Gary Holt, whose band was also on "The Bay Strikes Back 2020" tour, tested positive for COVID-19 at the end of March.
Posted: July 3, 2020, 7:03 pm
In a new interview with the "Thunder Underground" podcast, TESTAMENT guitarist Alex Skolnick was asked if has any reservations about performing live amid the coronavirus pandemic or if he will be "ready when the time comes." He responded (hear audio below): "I'm ready when it's safe, when there's a vaccine and when we can do it responsibly. "I'm shocked by people that are clamoring to open up and 'get back to normal' and people who don't wanna wear a mask. You're seeing the rate of people being infected rising like crazy. And it's pretty shocking. I don't wanna mess with that. I don't wanna get sick. I don't wanna get anybody else sick. "We've had pandemics before — not in our lifetimes, but they happen every hundred years or so, and then you get past it," he added. "So we'll be past it at some point. And once we are definitely past it, I'll be more than ready to get back to live music. But not before then." Last month, Skolnick blasted people who politicize mask wearing, calling it "the stupidest thing I've ever heard." He said: "You're gonna make it political, wearing a mask? Wearing a mask and going indoors to restaurants and breathing on everybody, making that political? I have to say it's the dumbest thing I've heard since Freedom Fries," referring to the "patriotism" fad from the early 2000s — refusing to eat french fries to protest France's opposition to the U.S.-led war on Iraq. Skolnick lives in Park Slope, Brooklyn, New York, which was one of the hardest-hit areas in terms of COVID-19 cases. TESTAMENT's latest album, "Titans Of Creation", was released on April 3 via Nuclear Blast. The disc was produced by guitarist Eric Peterson and singer Chuck Billy and while Juan Urteaga of Trident Studios handled co-producing, recording and engineering. Andy Sneap was responsible for the mixing and mastering of the album. Eliran Kantor stepped up once again to create a new masterpiece of artwork for the cover of this release. This past March, TESTAMENT completed "The Bay Strikes Back 2020" European tour with EXODUS and DEATH ANGEL.
Posted: July 3, 2020, 6:10 pm
STRYPER frontman Michael Sweet says that anyone who refuses to wear a face mask is selfish and reckless with the lives of others. Sweet addressed one of the most hotly debated pandemic topics as lawmakers push harder for their constituents to wear face masks to limit the spread of coronavirus. President Trump and Vice President Pence either refuse to wear a mask or wear one only occasionally, sending inconsistent messages about the importance of citizens wearing masks even as COVID-19 spreads at record levels. Earlier today, Sweet took to his Instagram to write: "Why is there such a debate about wearing a mask versus not wearing a mask? If it lowers the risk of the virus being spread (even if it's by a small margin) then why would you not want to contribute to lowering the stats? No one likes to wear a mask but my God, if it keeps others safe then why would you not want to? Hum..... When I go out, often I see so many folks not wearing masks and I think to myself 'how selfish'. It's so simple. Lose the pride and stubbornness and just play by the rules. Maybe I'm asking for too much. Many play by their own rules and sadly that's why we're in this position. Thank you. #maskon" Back in November 2016, Sweet drew criticism from some STRYPER fans for posting a picture of Trump and congratulating the real estate mogul for "working his ass off for the presidency of the United States of America." In early March, Sweet praised Trump's actions that served to ramp up the federal government's response to the COVID-19 epidemic — even after Trump was criticized by some parts of the media for downplaying fears about COVID-19 or actively spreading misinformation about its repercussions. Two months ago, Sweet said that he would like to see his band represented by Trump's fourth White House press secretary, Kayleigh McEnany.
Posted: July 3, 2020, 5:23 pm
GODSMACK frontman Sully Erna discussed the current political landscape during the latest episode of his Internet show, called "Hometown Sessions". When one viewer implied that the threat of the novel coronavirus will disappear if presumptive Democratic presidential nominee Joe Biden wins the election in November, Erna responded (see video below): "I couldn't fucking agree with you more. I've been saying that since the beginning. It's so politically driven. It may not be gone completely, but we're gonna see exactly where this country stands. You watch, though — on November 4th, we'll see exactly what's going on. If [Donald] Trump stays in [office], COVID's gonna be a big, messy pain in the ass, and there's gonna be more people burning down Wendy's fucking restaurants. If Trump fucking is gone, all of a sudden they're gonna have this miracle vaccine that those fucking liars have been holding on to." Erna then touched upon the recent protests in cities across America following the killing of George Floyd, an unarmed black man, at the hands of Minneapolis police. He said: "I don't want people to think we're partisan towards one way or the other, because what we're partisan towards is just making sure that this country is a good country to live in and that this shit doesn't get out of control, because no one likes to see these radical mob people exploiting these protests, which, by the way, I don't have a problem with, and I've said that before. What I have a problem with is people piggybacking on to it and doing other shit because they have alternate agendas. Not just ruining the protests, but ruining the country." Sully also addressed the fact that several polls show Trump now trailing Biden by double digits nationally and losing in six battleground states that were key to his win in 2016. "Are you gonna tell me that Biden's gonna win this thing?" Sully asked rhetorically. "Whether it's Trump or not, Biden's gonna be the guy? The guy that can't even remember his wife's name. "Right now, the people that are trying to make noise are the people that are afraid that they're not gonna have the right president so they can control the president to do what they need to do in the country," he continued. "So what they're doing is they're trying to make as much noise as they can to say, 'Oh, Trump's going down and Joe Biden is the guy.' But what I hope is going on is that when it comes time for the election, I hope all the people that are silent right now just bombard this thing and make sure that at least… "I don't care if Trump stays or goes, but do not let Biden control this country," he said. "Because if Biden controls this country, he's not really controlling it — it's all the people pulling his puppet strings that are gonna control it. I guarantee you we're gonna be really close to losing this country if that dude gets in office. And that is not gonna be a fun place to live. What used to be one of the greatest countries in the world, right now it's an embarrassment. People are laughing at us all over the globe. Even the crazy countries that we sit there and we watch the news sometimes, because they're beheading people and doing this radical shit, and we're, like, 'Wow, man. [I] don't wanna live over there,' now, all of a sudden, those countries look at us and they're, like, 'What the fuck is going on in America right now? Those people are out of their mind.'" This past February, Erna came under fire for sharing a post that was flagged as part of Facebook's efforts to combat false news and misinformation on its news feed. The post in question criticized then-Democratic presidential candidate Sen. Bernie Sanders's plan to raise the minimum wage and provide universal health care to all Americans. It also cited Sanders's Medicare For All plan, a single, national health insurance program that would cover everyone who lives in the United States. Back in 2004, Erna revealed that he was not in favor of the Democratic candidate for president in that year's election, telling Launch Radio Networks: "I'm a Republican. I want Republican. I don't necessarily want [incumbent Republican president George W.] Bush to win. I don't like that choice, but I gotta tell you, I don't truly believe in the Democrats either, man. I don't like the way they think. I don't like, I don't love Bush, I'll tell you that, but I want a Republican in office."
Posted: July 3, 2020, 4:46 pm
Former GREAT WHITE and current JACK RUSSELL'S GREAT WHITE singer Jack Russell has blasted people who refuse to wear a mask in public spaces to protect others from possible infection. Russell addressed the hot-button issue as lawmakers push harder for their constituents to wear face masks to limit the spread of coronavirus. President Donald Trump has been loath to wear a mask, despite the advice of public health experts. Asked in a new interview with Austria's Mulatschag if he goes out often while in quarantine, Russell — who lives on a 45-foot yacht in Redondo Beach, California — said: "No. I go to the store when I have to. There's no need to be out [in public places]. People don't take it seriously — they don't take the virus seriously. It's sad. "I don't know what everybody else out there is thinking — they may think I'm full of it — but I take this very seriously. "It's no small wonder that when you open all these places up, 'Gee, the numbers [of coronavirus cases] rose up.' It's, like, what did you think was gonna happen? It's, like, 'I took my mask off and I got COVID.' Well, what a big surprise that is. "People just don't think. They come down to the beach down here and they wanna pretend like [the virus] doesn't exist. Well, that's fine. If you wanna get sick, that's great. But put your mask on for me, because I've got my mask on. "The numbers, the way it works out, if I just wear [my mask], I'm not that safe. If you put yours on too, I'm 70 percent safe as opposed to being zero-point-something [safe]. It's amazing the amount that it changes. "It's, like, if you don't wanna help yourself, help everybody else. 'Well, it's my right. It's my human right.' Well, look, dude, you've gotta pay for your car to get smogged, you've gotta have a seat belt, you have a driver's license, you have to have a license to be born, you have to have a marriage license. I mean, so you have to wear a mask for a while so you don't die. What's the problem?" JACK RUSSELL'S GREAT WHITE is working on material for the follow-up to 2017's "He Saw It Comin'" LP. JACK RUSSELL'S GREAT WHITE recently released "Once Bitten Acoustic Bytes", a very special acoustic album revisiting GREAT WHITE's 1987 multi-platinum masterpiece "Once Bitten" featuring some of the band's biggest and most recognizable hits, including "Save Your Love" and "Rock Me". "He Saw It Comin'" was released in January 2017 and featured the singles "Blame It On The Night", "Sign Of The Times" and "Love Don't Live Here".
Posted: July 3, 2020, 3:11 pm
Lita Ford spoke to Sweetwater's Nick Bowcott about how she has been spending her coronavirus downtime. She said (see video below): "In early March, we were on The 80s Cruise ship, and that's when everything got announced to us. Basically, 'Your summer's canceled.' And so we came off the cruise, and we just came home, and we've been home ever since. It was the second week of March. I had finished writing the record — the new record that isn't out yet — I had finished writing it, and to tell you the truth, I was so done with writing by the time that record was finished and recorded. We just finished it in January of 2020. And so I came off the road, and of course, you've gotta wind your gears down. I mean, it's so difficult to wind those gears down from being on tour. And I didn't wanna really write. I just kind of went into 'yoga mode' and 'stay healthy' mode — like, stay away from the refrigerator and try and get a little bit of cardio in. And, of course, where we are here in the Arizona desert, it's, like, 112 [degrees Fahrenheit]. So you get out and ride your bike at eight o'clock at night, it's about 108. So that's kind of what I do — I go out and I sweat and I mountain bike and do my yoga and try to stay away from the refrigerator." Lita has spent the last couple of years working on her long-awaited new solo album. The follow-up to 2012's "Living Like A Runaway" is once again being helmed by guitarist/producer Gary Hoey, who contributes some guitar playing to the disc, alongside the rest of Ford's backing band, which continues to consist of guitarist Patrick Kennison, drummer Bobby Rock and bassist Marty O'Brien. Last year, Lita told The Metal Voice that her new album will include a song called "Monsters", which was inspired by infamous cult leaders like Charles Manson and David Koresh. "It's just really dark and nasty stuff — brainwashing people and all the stuff [Koresh] did, and got all those people to drink Kool-Aid," she said. "But then again, it could be someone like your attorney, or it could be someone like your mom who is the monster in your life. It could be your manager. You never know who the monster in your life is gonna turn out to be." Ford's last release was 2016's "Time Capsule", a collection of songs that were recorded by Lita in the past, but never before made available. Four years ago, Lita released an autobiography, "Living Like A Runaway: A Memoir", via Dey Street Books (formerly It Books), an imprint of HarperCollins Publishers.
Posted: July 3, 2020, 2:26 pm
Former TNT singer Tony Harnell is racing ahead with one eye in the rear-view fronting ECHOBATS, a new all-star, quarantine-inspired project alongside WHITESNAKE/TRANS-SIBERIAN ORCHESTRA guitarist Joel Hoekstra (guitar), NIGHT RANGER's Eric Levy on keyboards and the tight, crackling rhythm of Matt Starr's (MR. BIG, ACE FREHLEY) kit and James LoMenzo's (WHITE LION, MEGADETH) bass. "Save Me From Loving You", mixed by Chris Collier, is the surprise new summertime, '70s glam-infused single that brings a Penny Lane-style spark to the pop side of Harnell's sound with the bite of this banging ECHOBATS band. Says Harnell: "The lyrics for 'Save Me From Loving You' are ironic for such a happy song. They're kinda dark; describing someone who's pretending to be something that looks good to the world while hiding a dark and empty soul. I think, against the happy melodies, it gives it a kind of cinematic mood. 'Isn't there more to you than shine, or are you an empty room.' A friend of mine described the song as Bop-Noir:) I kinda like that! "The video for 'Save Me from Loving You' is just us using what we had around us in quarantine; I'm in England and had a phone booth nearby and the guys were at home across the U.S.! It was totally off the cuff and fun. The music and melodies are kinda '60s/'70s, and I went with that for my shots, and Arielle edited the video with that energy and flair." Harnell's music journey took off at 21 when he signed his first record deal with Mercury Records. Since then, he's been a fan favorite whether on his own, leading the Norwegian/American hard rock group TNT, or as the frontman for the TONY HARNELL & THE WILDFLOWERS featuring Bumblefoot. Hoekstra currently plays for WHITESNAKE and TRANS-SIBERIAN ORCHESTRA. Joel is also well known for his work with Cher, NIGHT RANGER, the Broadway show "Rock Of Ages", his fill-in work with FOREIGNER and annual sets on the Monsters Of Rock cruise. He is also a frequent columnist for Guitar World magazine. In 2015, Joel released the debut album from his side project JOEL HOEKSTRA'S 13 and a follow-up is in the works.
Posted: July 3, 2020, 2:00 pm
The official music video for "Yes, I Have Ghosts", the first new song from David Gilmour in five years, can be seen below. The track, which was inspired by Polly Samson's new novel "A Theatre For Dreamers", features the voice and harp playing of David's daughter Romany. Of "Yes, I Have Ghosts", Gilmour says: "I was working on this song just as we went into lockdown and had to cancel a session with backing singers, but, as it turned out, the solution was right here and I couldn't be happier with the way Romany's voice blends with mine and her beautiful harp playing has been another revelation." The song has previously only been available as part of the ground-breaking audiobook for the novel. Samson, who wrote the lyrics, says: "Collaborating with David — as I have done many times over the last 30 years, writing songs for both PINK FLOYD and his solo albums — we were able to bring together the worlds of literature and music to enhance the listening experience and connect with audiences in a way which I don't think has been done before." Set on the idyllic Greek island of Hydra in 1960, "A Theatre For Dreamers" captures the hazy, sun-drenched days of an expat bohemian community of poets, painters, and musicians, including a 25-year-old Leonard Cohen. Before the COVID-19 lockdown, David, Polly and family were about to take "A Theatre For Dreamers" on the road for a short series of shows blending words and music. Sadly, these dates have had to be postponed until June 2021 but the "Von Trapped Family," as they dubbed themselves, took to Facebook to livestream adapted versions of the shows. Viewers found themselves transported to the Greek island of Hydra in 1960, with readings from the book, poetry, question-and-answer sessions and music from and inspired by the novel, including instrumental sections of "Yes, I Have Ghosts" and songs by Leonard Cohen. The Sunday Times bestseller "A Theatre For Dreamers" by Samson is out now and published by Bloomsbury.
Posted: July 3, 2020, 1:10 pm
QUEEN + ADAM LAMBERT recently launched a new video series called "Roadies In Lockdown". You can now watch the second episode below. The band writes: "Jez Webb, Bass Tech, who's relatively new to the QUEEN Family, appears to share a 'bromance' with his charge, QUEEN + ADAM LAMBERT's long-standing bass player, Neil Fairclough from Manchester, England. We see their interaction on stage during a Q + AL show and watch them catch up with each other on Zoom during lockdown and learn and laugh with them as to why at times it is all about the bass and that solo. As well as looking after Neil, Jez is also responsible for Brian's set up for his acoustic performance on the B-Stage. "Tour Video Director, Steve Price has worked with QUEEN + ADAM LAMBERT since 2014 and at this time should be manning the controls behind the stage as he directs all the video elements of the show for the band on their sold out European summer tour. However, as we all know, the band and crew are currently off the road, so to keep him in the groove we set him the task of creating a ‘lockumentary' focusing on what it is like being part of the 'Rhapsody Road Crew'... "This exclusive series, only available on QUEEN's Official channel, explores the roles of various crew members on the road and behind the scenes with one of the world's most successful touring acts. Enjoy a VIP AAA pass and get to see at close quarters the backstage and front of house complexities, magic and hard work that goes in to putting on these huge productions that are a QUEEN + ADAM LAMBERT live show. They explain what they do to make the shows happen. Look out also for a few well known faces and cameo appearances along the way. "The backstage footage has been shot at different venues across the globe, however due to the recent pandemic the interviews with the crew have taken place at home during lockdown and further demonstrates the effect the shutdown has had on the live music business, not just for musicians and fans, but the often unseen and unsung heroes that make up the touring crew. "Setting out to highlight their individual and collaborative skills, it soon becomes obvious one thing clearly binds them together — a sense of humour." QUEEN + ADAM LAMBERT recently recorded a new version of "We Are The Champions" — retitled "You Are The Champions" — as a tribute to workers on the frontline fighting coronavirus. All proceeds made from the song will go towards the COVID-19 Solidarity Response Fund for the World Health Organization. Since Adam Lambert first shared the stage with QUEEN for the 2009 "American Idol" final, his dynamic performances have reinvigorated the band and delighted fans worldwide. Starting as they meant to go on, their first full show together in June 2012 thrilled a crowd of half a million strong in the Ukraine capital city of Kiev. Since then, May and Taylor's musical fireworks have been matched by Lambert's vocal prowess and stage presence, making for an explosive combination. Over 200 gigs later, the partnership has remained a commercial and critical triumph, playing to enraptured full houses in every corner of the world. Photograph by Xavier Vila
Posted: July 3, 2020, 12:45 pm
EVANESCENCE has released an iPhone-shot, neon nightmare of a music video for "The Game Is Over", the second song from its upcoming album, "The Bitter Truth" (BMG). The band's first collection of new original music in nine years, "The Bitter Truth" will be made available incrementally throughout 2020. A guitar-driven anthem commanded by Lee's peerless mezzo-soprano and Will Hunt's heavy arena percussion, "The Game Is Over" is a protest against the facades we are pressured to put on by society. In the face of depression and anxiety — and especially in a world that seems to crumble further each day — it's a cry to end the charade that everything’s fine. The accompanying video is a nightmarish, effects-laden look at the emotional havoc that this period has wrought. Despite being restricted to shooting themselves on iPhones, the band, in collaboration with director P.R. Brown, managed to achieve a highly stylized production literalizing the metaphorical monsters within us. The video is astonishing proof of the creative spark of working with limited resources and a testament to the band's commitment to its craft. Spotlighting the mental darkness behind the false smiles, it's a disturbing, technicolor tribute to the light at the end of the tunnel — if you're willing to face the terrors that line its walls. EVANESCENCE bassist Tim McCord comments: "This was by far and away the most difficult video I've ever been a part of, emotionally. In order to capture the raw emotion of what life really is for us these days, I had to get to some really dark places. I hope we can all view this video and heal together." Lee says of "The Game Is Over": "This song is about being sick of the facade. The disguises we wear for others to make them feel comfortable, the inside feelings being so different than what we show on the outside to fit within the boundaries of what's socially acceptable, or what's not going to make you unpleasant or too 'weird' to be around. "'The Game Is Over' is a promise to myself and out loud that I'm going to be more of my real, inner self on the outside — not lock her up because she can't be contained anymore. It's also a prayer to become better, to not feel so messed up, locked up, and hurt inside." EVANESCENCE's new music is being produced by Nick Raskulinecz, who also worked on 2011's self-titled LP. Lee told Loudwire about the musical direction of the new EVANESCENCE material: "It's a combination of a lot of things. It's definitely one hundred percent us, but it's also taking risks. And I think it's meaningful — it's deeply meaningful. But at the same time, a lot of it has attitude. I don't know if I can explain that super well, but some of our music is like that. If you can listen back and think about, especially some of the later music, like 'What You Want' or 'Call Me When You're Sober', there's a track or two in there that is the next step from that in its feeling, I would say." This past January, EVANESCENCE returned with its first new rock recording in eight years, "The Chain (From Gears 5)". The band recorded its signature-rock version of the FLEETWOOD MAC classic following Lee having lent her vocals to the launch trailer for the Xbox Game Studios' "Gears 5" for Xbox One, Windows 10, and Steam, from the massively popular "Gears Of War" series. EVANESCENCE spent much of the last two years recording and touring in support of 2017's "Synthesis", which contained some of the band's best-loved songs — as well as a couple of new ones — reinvented with full orchestra over a deep electronic landscape.
Posted: July 3, 2020, 12:17 pm
MEGADETH drummer Dirk Verbeuren has released a new song from his long-running BENT SEA project. "Sycophant Legions", a collaboration with FEASTEM's Petri Eskelinen on vocals and NASUM's Jesper Liveröd on bass, is the second in a series of songs Dirk has dubbed "Instagrind". Two months ago, Verbeuren released the first "Instagrind" song from BENT SEA, "Grind To A Halt", a collaboration with MIDNIGHT mastermind Athenar on vocals. In a 2016 interview with All About The Rock, Dirk stated about BENT SEA: "BENT SEA is a spur-of-the-moment type thing without any business plan. The idea from the get-go was basically 'no pressure' and I intend to keep it that way." Back in 2012, Dirk told PureGrainAudio about BENT SEA's formation: "It just sort of happened. I used to play guitar, but in recent years my focus was exclusively on drums. My wife had been encouraging me to write my own music, so I decided to give it a shot. The result turned out to be BENT SEA." Regarding the project's name, the 45-year-old Belgian-born-and-now-Los-Angeles-based musician said: "It's taken from a song by British experimental duo ENDVRA which I accidentally came across in my tape-trading days. Their music has absolutely nothing to do with grindcore, but somehow BENT SEA popped up in my mind. I like that it's atypical, and that it conjures apocalyptic images echoing the intensity of my music." Verbeuren had been playing with SOILWORK for more than a decade before joining MEGADETH in 2016 as the replacement for Chris Adler (LAMB OF GOD), who called Dirk "probably [one of the] top three drummers in the world." In interview with the KATT Rock 100.5 FM radio station, MEGADETH leader Dave Mustaine described Dirk as "one of the most pleasant, easy-to-get-along-with guys I've ever met in my life. I'll walk up to him and he'll smile and lean forward and pat me on the back. He goes [adopts thin accent], 'How's it going, buddy?' I could say, 'Oh, man…'… anything. 'Oh, okay, buddy.' [He] smiles and pats me, 'cause he's just a happy guy. I've never, ever, ever seen him not smile."
Posted: July 3, 2020, 12:11 pm
DOKKEN will play a pair of socially distanced concerts this month that will feature special guest guitarist Reb Beach (WINGER, WHITESNAKE). He will be filling in for DOKKEN's longtime guitarist Jon Levin, who has opted to sit out the shows due to the coronavirus pandemic which is sweeping the globe. DOKKEN frontman Don Dokken explained the guitarist switch in a new interview with Greg Prato of Songfacts. He said: "Reb is coming to fill in because Jon can't go on the road right now — he doesn't feel comfortable with the COVID because his father is 90 years old and he's the primary caregiver. He said, 'Man, if I get COVID and give it to my dad, he'll die.' And I said, 'I get it, Jon. I respect you and your father.' So, I got Reb coming in to fill in for these two shows, and I just told Jon, 'Let's hope for the best. Let's hope the COVID thing gets better and they come out with a vaccine. Until then, if you don't feel comfortable getting on a plane, then don't.'" Don continued: "I talked to Mikkey Dee from the SCORPIONS the other night, and he and his wife got COVID in Australia. They were in the middle of nowhere and got it. He called me up and he said, 'I'll tell you, Don, you don't want to get it. I was on the floor.' He lost 35 pounds. He was sick as a dog. He was in a hospital. He was really in bad shape. He said, 'I don't know how I got it.' Because they had social distancing big-time in Australia. "So, I'm taking a risk doing these shows. I know that. But what are you going to do? My girlfriend makes me put the gloves on, the mask on, the spray — we constantly spray our hands. I try not to wipe my mouth. I'll go to Home Depot and buy supplies for the house, but mostly I'm just staying home. So, she's not happy about me going on a plane. I have five or six plane flights in two days, so that's pretty high chances. "My son is a pilot, and I talked to him — he flies for JetBlue. My son flies an A300. He's young to be a captain — he's only 33. I said, 'What's going on with the flying?' And he said, 'They're just going to try and space people out.' But it's kind of a joke, because he told me all the air in an airplane is just recirculated. They just send it to the scrubbers — to the engine filters — and they send it right back to the cockpit. So, all this '20 feet away, 10 feet away,' it's all kind of bullshit. "But I've got to go out and work. I want to play." Beach is best known for his work in the band WINGER and for being a member of WHITESNAKE since 2002. Beach is best known for his work in the band WINGER and for being a member of WHITESNAKE since 2002. After WINGER disbanded for a period in the mid-1990s, Beach first joined Alice Cooper's band and later replaced Lynch in DOKKEN. With DOKKEN, he recorded one studio album, titled "Erase The Slate", and a live DVD, titled "Live From The Sun". Since leaving DOKKEN, Beach has been a part of several different recording and touring projects. In addition to sporadic touring with WINGER, he released a solo effort titled "Masquerade" in 2002. Since 2002, he has been a member of David Coverdale's current incarnation of WHITESNAKE and has been the longest-serving guitarist/member of the band to this day, excluding Coverdale.
Posted: July 3, 2020, 11:54 am
Dave Grohl joined Matt Wilkinson on Apple Music to reflect on the 25th anniversary of the debut self-titled FOO FIGHTERS album (originally released on July 4, 1995). Grohl talked about joining NIRVANA as the group's fifth drummer and initially being insecure about being fired, despite the members' immediate musical connection. He also recounts the days following Kurt Cobain's passing and picking himself back up to make music again, reminisces about the making of the debut FOO FIGHTERS album, and shares who he'd dedicate the album to if he re-wrote the album's linear notes today. On joining NIRVANA and being insecure about getting fired "Well, I mean, I joined NIRVANA. I was their fifth drummer, right? They'd had a team of drummers before me and some of them were more, I don't know, more in the band than others. So when I joined the band, I didn't know Krist [Novoselic] and Kurt [Cobain] at all. And when we first met and started playing, it was clear that when we got together to play that it worked really well, and we sounded what most people know now to sound like NIRVANA. We sounded like that. But you just meet these people and then it wasn't long... It was almost exactly a year from the time I joined to the time 'Nevermind' came out. And then once it came out, it was like things happen so quickly. The band got really big. "But every band I'd been in before then was with friends that I'd known for a really long time. And so there's some security in that. So when you join a band where you don't know anyone and you're just starting to get to know each other, and it sounds great when you play music, you're just starting to get to know each other, but there's not a deep personal connection. And then the band becomes really huge really quickly. You're just so nervous that you're going to either get fired or it's going to stop. I didn't want to get fired, basically. And so I was doing my best to keep this thing from going away. So there was this real insecurity that I had: 'I'm not good enough. They're going to find somebody else.'" On the days following Kurt Cobain's passing: "After Kurt passed away, there was a period of everyone just hiding from the world and our whole world was turned upside down. So there was grief, there was mourning. We all rallied together. I remember hanging out with Krist Novoselic and the two of us making sure that we were okay. And then I did a little bit of traveling. I remember going... I took a trip to the U.K. I don't know — I just did a lot of driving around and thinking. And eventually, I started getting calls from people to ask if I wanted to play drums with them or join another band, and I just didn't see that happening at the time. And I'd always come home from tours and recorded songs by myself, but that feeling was gone. I didn't really want to write or even listen to music, much less join a band and play in one. So it was strange, when your life is just pulled out from under you like that. I don't think anyone really thought much about what came next. You were stuck in that moment. So eventually, I just pulled myself off the couch and thought, "Okay, I've always loved playing music and I've always loved writing and recording songs for myself. So I feel like I need to do that just for myself." On whom he would like to dedicate FOO FIGHTERS' debut album to if he was re-writing the liner notes today: "I mean, it should be a lot of people. But I would dedicate it to Krist and Kurt because still to this day, the NIRVANA experience was probably... I mean I don't want to say... I have children. I can't say it's the most important event in my entire life. But it's safe to say that we wouldn't be here right now talking about this if it weren't for my time in NIRVANA. And I had learned so many lessons from Kurt, I learned so many lessons from Krist. It was such an honor to be in that band and it was so devastating when it ended. But we have that catalog of music that we made together and that experience changed not only us, but a lot of the world that we lived in. So I think that that was probably my life's most formative period. I went from being a messy teen to then being in this band that was huge. And then it all ending and trying to build life again with the lessons that I had learned through all of that. And I was really young, I was 24 or 25 or something. So I would dedicate it to Krist and Kurt because I owe so much to those guys for sure." On the pressure and scrutiny of making music after NIRVANA: "There's some journalists that are just like, 'How dare you play music after NIRVANA.' I'm, like, 'What am I supposed to do?' We tried really hard to do it right. Instead of jumping on a tour opening up for some massive arena band at the time, we thought, 'Okay, well let's get in the van and let's do it like we've always done it. Let's start the way we always started,' and that felt comfortable to us. And in doing any promotion or press, we didn't make a video right out of the gate, we tried to temper all of that stuff because it was scary in a way. I knew that I was walking the plank on this. I knew that I was going to be scrutinized and I knew that there was going to be comparisons and things like that. And yeah, I mean it was tough. But it wasn't that tough. I mean it was like if someone gave you shit, you just say, 'Fuck you, motherfucker.'" On having to adjust to being a frontman: "Coming out and standing, I mean, fuck, I'd been sitting on a drum stool for so long that, 'Oh my God. Now I have to stand in front of people.' And, 'How does my body move? What do I say in between songs?' These are the things that go through your head, and if you're not feeling it or you don't have that connection or confidence, it can be fucking terrifying. And, I mean, it was for eight years or 10 years or so. It took a long time for me. I mean, now when I walk out on stage, it's just, like, 'Hey. Okay, let's go.' But a long time ago, even doing interviews, I was shy. I was just insecure, self-aware. I just felt like I wasn't used to being put in the forefront like that and I can not even watch interviews from those days back then." Listen to the full conversation this Saturday, July 4 at 7:00 a.m. PST at Apple Music.
Posted: July 3, 2020, 11:27 am
In a new interview with Canada's The Metal Voice, TWISTED SISTER frontman Dee Snider, who was famously called to testify before the U.S. Senate against the proposition to have warning labels be placed on albums deemed "offensive" to listeners, spoke about the rise of cancel culture and political correctness in the social media era. He said (hear audio below): "I'm into filmmaking now, and me and my filmmaking friends often talk about the fact that a movie like 'Blazing Saddles' [the 1974 American satirical Western black comedy film directed by Mel Brooks] could not be made today — it literally could not be made, because it would offend too many people. "I remember seeing that movie the first time in a theater full of African-Americans in a black neighborhood in a black theater; me and my brother were the only two white people," he continued. "And I was laughing my ass off. And my friend said, 'Stop laughing. We're gonna get our asses kicked.' And I looked around the theater, and everybody was laughing. I said, 'Everybody's laughing.' It's funny. Funny is funny. "It's odd, because conservatism was ultra-right back in the '80s. Now it's shifted toward the left, where you've got the liberals saying, 'Oh, you can't say that, and you can't say that, and you can't say that.' "So, yeah, [censorship] still around, it's still an issue. But we've just gotta continue to push back and fight." In 1985, the Parents' Music Resource Center (PMRC), led by Tipper Gore, was trying to introduce a parental warning system that would label all albums containing "offensive material." The system was to include letters identifying the type of objectionable content to be found in each album (e.g. O for occult themes, S for sex, D for drugs, V for violence, etc.), which resulted in the "Parental Advisory" sticker now found on new album releases with "questionable content." The incongruous trio of Snider, Frank Zappa and John Denver were called before Congress to testify in defense of music. In 2015, Snider wrote an Op-Ed story for HuffingtonPost.com about his experience, saying: "Thirty years later, everything and nothing has changed. The ultra-conservatives still want to dictate to the masses what they deem acceptable for the general public to see and hear. The record industry is a mere shadow of its former self (apt punishment for its cowardice), and CDs and vinyl albums have almost become 'novelties’ in a world driven by downloads. Yet, the warning labels still adorn individual track listings and albums online. "While initially my appearance at those Senate hearings was damaging to my career and reputation, long term it was beneficial, showing people for the first time that I was much more than a screaming 'Raggedy Ann on acid' and a fairly intelligent, sentient human being. Fortunately, I have gone on to better things." Snider will release "For The Love Of Metal Live!" on July 31 via Napalm Records. The DVD/Blu-ray and accompanying live album (available in various formats) features audio captured from several Snider festival performances worldwide — from the United States to Europe, Australia and beyond. In addition to tracks from Snider's solo catalog, like "I Am The Hurricane" and "For The Love Of Metal", TWISTED SISTER favorites such as "I Wanna Rock" and "We're Not Gonna Take It", and even a cover of AC/DC's "Highway To Hell", the audio portion of "For The Love Of Metal Live!" also features a brand new original studio track, "Prove Me Wrong". TWISTED SISTER called it quits in 2016 after completing a farewell 40th-anniversary tour.
Posted: July 3, 2020, 11:01 am
MEGADETH guitarist Kiko Loureiro has released a new solo single, "Overflow". It is the third single from Loureiro's fifth solo album, "Open Source", which will arrive on July 10. Last week, Loureiro released "Imminent Threat", the LP's second single, featuring a guest appearance by former MEGADETH guitarist Marty Friedman. The cover artwork for "Overflow", "Imminent Threat" and "Open Source" was created by Gustavo Sazes (MACHINE HEAD, AMARANTHE, ARCH ENEMY). "Open Source" will include an instrumental titled "EDM (e-Dependent Mind)", which was released as a single last month. The track features Loureiro on guitar and keyboards, as well as Felipe Andreoli on bass and Bruno Valverde on drums. "Open Source" will be the follow-up to "Sounds Of Innocence", which was released in June 2012. Loureiro said: "By definition, 'open source' is related to softwares which the original source code is made freely available and may be redistributed and modified. It brings us a higher sense of community, enhances our creativity and creates new possibilities. So why not take this concept to our art, our music? How much richer a song could be if others had access to its source code? What if the song's original composition wasn't the final product? What if it was just the beginning? Something that could be constantly updated and evolve over time. And as well as a machine, we as humans are also minded to enhancements, being an open source ourselves, constantly moving and growing, through technology, science, spirituality… and art." "This is the mindset which I bring now to my fifth solo album, that was named... guess what? OPEN SOURCE! "My compositions and recordings are not the final objective of the album, but rather the start. I want you to have access to the way I created the album concept, to the songs and to how I played them. In addition, I will make the stems available for download. So you can remix, recreate and make new versions of it. And I can't wait to see what you're gonna create from that. I can expect different approaches and better versions than mine. "To make all this possible, I'm doing a crowdfunding campaignand stretching goals to be able to create and share even more with you. Some of the perks are unique. Brings us closer, we can collaborate together and I'm very excited to have this possibility through this campaign. "When you participate in this limited-time exclusive crowdfund, you officially become a partner of mine. And you're helping to launch this album worldwide. And if you're not the composer kind, don't worry, the backing tracks will also be available. So weather you play an instrument or are a music producer, you can put your own spin on it." "I'm looking forward to sharing this project with the world. Stay healthy and stay safe!" Kiko started composing his new solo album last year. The recordings started in September 2019 and he has been working on the LP ever since, in between MEGADETH's activities. "Sounds Of Innocence" featured guest appearances by Virgil Donati on drums and Felipe Andreoli (ANGRA, ALMAH) on bass. One track also featured LIVING COLOUR bassist Doug Wimbish. The effort was produced by Kiko, mixed by Dennis Ward and mastered by Jürgen Lusky. Kiko made his recording debut with MEGADETH on 2016's "Dystopia" album. The "Dystopia" title track was honored in the "Best Metal Performance" category at the 2017 Grammy Awards. MEGADETH leader Dave Mustaine told Revolver magazine that finding Loureiro "was really a mind-blower. It was the first time since Marty Friedman joined the band that I was really intimidated as a player," he said. "He's such an amazing talent, and he's been coming in with all of these fresh ideas." Mustaine has also called Loureiro the "best guitarist we've ever had," adding that he was a good fit personality wise. "Chris [Broderick] and I had a good chemistry, but we weren't really as close as I would have wanted us to be," Mustaine explained. "Kiko, I feel like I've known him for years."
Posted: July 3, 2020, 10:09 am
LINKIN PARK's music video for the song "In The End" has surpassed one billion views on YouTube. It is the second LINKIN PARK track to reach the milestone; back in November 2018, "Numb" achieved the same feat. The official "In The End" clip that has hit the one-billion wasn't uploaded to YouTube until October 2009, almost a decade after the video's original release. LINKIN PARK's Mike Shinoda spoke about the creation of "In The End" in an interview with Linkin Park Web. He said: "I came up with the piano and the chorus music and chorus lyrics. Then Brad [Delson, guitar] came up with the guitar in the verse and we worked on the bassline and composition. From there, I think everybody in the band began chipping in and adding their parts and critiquing each other's parts. And right before we went into the studio to record it, we scrapped the beat I had originally written for the verse, and had Rob [Bourdon, drums] do a new one, which is the one that we recorded." Surprisingly, LINKIN PARK frontman Chester Bennington didn't care for "In The End" when it was first recorded. "I was never a fan of 'In The End' and I didn't even want it to be on the record, honestly," he told VMusic back in 2012. "How wrong could I have possibly been? I basically decided at that point I don't know what the fuck I'm talking about, so I leave that to other people who are actually talented at somehow picking songs that people are going to like the most. It also gave me a good lesson, as an artist, that I don't necessarily have to only make music, in my band, that I want to listen to. More often than not, something that I like, very few other people like, and something that those people like is something that I kind of like, or don't like at all. And that's cool, it gives me a new appreciation for the songs. But, you know, now I love 'In The End' and I think it's such a great song. I actually see how good of a song it is, it was just hard for me to see it at the time." LINKIN PARK recently said it had some "special things planned" this year to celebrate the 20th anniversary of its debut album, "Hybrid Theory". The band's YouTube channel boasts more than 16 million subscribers, and the highest-viewed video on the channel is the aforementioned official clip for "Numb", which has been seen 1.4 billion times. LINKIN PARK has not performed together in public since October 2017, when the surviving members staged a tribute concert in Los Angeles to Bennington. The band has not officially announced whether it intends to carry on following the death of the singer, who committed suicide at the age of 41.
Posted: July 3, 2020, 9:59 am
Veteran San Francisco Bay Area metallers VICIOUS RUMORS will release their new album, "Celebration Decay", on August 21 via SPV/Steamhammer. The official lyric video for the disc's first single, "Death Eternal", can be seen below. Every new album has its own history, and the latest recording by VICIOUS RUMORS has a pretty unusual one at that. Originally, the band had planned only twenty concerts to celebrate the 30th anniversary of their 1988 classic "Digital Dictator". "The reactions were so enthusiastic that the twenty shows turned into an amazing 108 gigs in the end," remembers band mastermind Geoff Thorpe, still a little awed. "We really hadn't expected that. Of course, this jumbled the original time schedule for our current album a little." The release date may have suffered a slight delay due to the extended anniversary tour, but at the end of the day, few other VICIOUS RUMORS releases have benefited so much from a prior tour. Because, as Thorpe points out: "On the one hand, the new VICIOUS RUMORS studio lineup had an opportunity to grow into a really tight unit during that long tour, which is one of the reasons why 'Celebration Decay' sounds as dynamic and vibrant as any other of our best recordings in our long career. On the other hand, the 'Digital Dictator' shows ensured that we came into contact with our early influences again and again. Both factors together have resulted in an album that sounds like typical VICIOUS RUMORS and oozes lots of energy and momentum. I must admit, I couldn't be prouder." It's obvious that 41 years into the band's history, Thorpe is still brim-full of zest and artistic enthusiasm. "Celebration Decay" is a kind of best-of-both-worlds recording, he beams: "There are classic VICIOUS RUMORS numbers such as 'Pulse Of The Dead', 'Arrival Of Desolation', 'Death Eternal' and 'Collision Course Disaster'. And then there's a song like 'Darkness Devine' with a structure that's very unusual for us." Along with Thorpe and his long-standing drummer Larry Howe, two new discoveries were instrumental in the recording of "Celebration Decay": lead vocalist Nick Courtney and guitarist Gunnar Dügrey, who passed their baptism of fire with distinction during the "Digital Dictator" tour. Says Thorpe: "Nick delivered some awesome performances during the gigs and was celebrated by our fans. Gunnar is a real virtuoso. I enlisted him as an 18-year-old, straight out of high school. Today he's 21 and already an absolute world-class musician. VICIOUS RUMORS now has a guitar team on caliber with the times of the legendary Mark McGee. Of course, in this context Greg Christian (TESTAMENT, TRAUMA) was a special guest. Greg is a longtime friend; it was a pleasure to work with him. He really contributed to a thundering rhythm section with Larry." Guitarist Cody Green, who contributed two haunting solos on "Long Way Home" and "Any Last Words", also deserve a mention. Green also helped out on bass during the tour. Says Thorpe: "Cody will always be part of the VICIOUS RUMORS family. Robin Utbult from Sweden will be handling the bass on the 'Celebration Decay' tour." "Celebration Decay" was recorded and mixed between November 2019 and February 2020 at the Trident Studios in Pacheco, California by Thorpe and Juan Urteaga. "There's no other VICIOUS RUMORS release that I worked as hard on as I did on 'Celebration Decay'," says Thorpe. "After all, when you get the opportunity to bring out a new album, you really have to give it your best shot. Of course, that's what I did with all other VICIOUS RUMORS cuts, but with a perfectly oiled metal machine like our current lineup, it was even more fun than usual." Track listing: 01. Celebration Decay 02. Pulse Of The Dead 03. Arrival Of Desolation 04. Any Last Words 05. Asylum Of Blood 06. Darkness Divine 07. Long Way Home 08. Cold Blooded 09. Death Eternal 10. Collision Course Disaster 11. Masquerade Of Good Intentions Photo credit: Heike Saß
Posted: July 3, 2020, 9:34 am
Sebastian Bach has told Stephen Pearcy to "stop embarrassing" himself after the RATT singer came under fire for implying Americans should refrain from wearing a cloth face mask or covering in public even though it protects against the coronavirus. Many Americans refuse to wear a mask for they view it as a symbol of oppression and how government can dictate their actions. President Donald Trump has been loath to wear a mask, despite the advice of public health experts. Late Wednesday night (July 1), Pearcy took to his Twitter to share the hashtag #UnMaskAmerica, eliciting a number of disapproving responses from his followers. Pearcy later deleted his original tweet and shared a photo of himself with braided hair, holding a Robbin Crosby guitar while wearing a mirrored face mask with the caption: "Maybe if we all wear this mask, we can all have peace. Or we can wait for the real guys to come down and straighten things out. I'm waiting for the Ass kicking" In response to Stephen's tweet, Bach wrote: "Dude this shit is actually not funny. Please stop embarrassing yourself and all of rock and roll" Later on Thursday, Pearcy tried to explain away his #UnMaskAmerica tweet, writing: "I only apologize for things that hurt my audience, politics leave me the fuck out, don't be starting shit. Not into it. Not for press, not for nothing. Note; If my post was so far above heads I'll explain. ALL peoples, races, if we had the same face (Extraterrestrial alien) no prejudice. Peace." He added: "#mask or do as you please. That was an unfinished post." With most U.S. states requiring masks at least in crowded spots where social distancing isn't possible, several hard rock and heavy metal musicians have used their platforms to remind their followers to mask up amid the coronavirus pandemic, including TESTAMENT's Alex Skolnick, QUEENSRŸCHE's Todd La Torre, TRIVIUM's Paolo Gregoletto and SONS OF APOLLO's Mike Portnoy. Three weeks ago, the U.S. Surgeon General urged people to wear face coverings, saying they will promote freedom during the coronavirus pandemic. "Some feel face coverings infringe on their freedom of choice- but if more wear them, we'll have MORE freedom to go out. Face coverings [leads to] less asymptomatic viral spread [leads to] more places open, and sooner!" Dr. Jerome Adams wrote on Twitter. In a study published last month, researchers from Texas A&M University, the California Institute of Technology and the University of California San Diego, concluded "that wearing of face masks in public corresponds to the most effective means to prevent interhuman transmission." In early April, the Centers For Disease Control And Prevention issued new guidelines that Americans should wear face coverings in public.

Maybe if we all wear this mask, we can all have peace. Or we can wait for the real guys to come down and straighten things out?I’m waiting for the Ass kicking☠️ pic.twitter.com/cZtSHDN7GK

— STEPHEN E PEARCY (@StephenEPearcy) July 2, 2020

Dude this shit is actually not funny. Please stop embarrassing yourself and all of rock and roll

— Sebastian Bach (@sebastianbach) July 2, 2020

My response. I don’t give a fuck??as Mr Jimi Hendrix said once, “I’m the one that’s got to die when it’s my turn to die, so let me live my life the way I want to.” ?? “Give a man a mask and he will tell the truth”. Oscar Wilde ☠️Here’s my other mask. ??☠️ pic.twitter.com/CXfM9AeKRb

— STEPHEN E PEARCY (@StephenEPearcy) July 3, 2020

Hey. Who who people. #mask or do as you please. That was an unfinished post. ?? pic.twitter.com/pvg8TEvpzn

— STEPHEN E PEARCY (@StephenEPearcy) July 3, 2020

I only apologize for things that hurt my audience, politics leave me the fuck out, don’t be starting shit. Not into it. Not for press, not for nothing. Note; If my post was so far above heads I’ll explain. ALL peoples, races, if we had the same face (?) no prejudice. Peace. ????

— STEPHEN E PEARCY (@StephenEPearcy) July 3, 2020

Calm down do as you will, we follow protocol. Now go rock out @theRATTpack

— STEPHEN E PEARCY (@StephenEPearcy) July 3, 2020

Nothing to do with whos fucking wearing a mask or doesn’t. I do, next.??NOT into politics that are not my own. #letsrattnroll #rattproblem

— STEPHEN E PEARCY (@StephenEPearcy) July 3, 2020
Posted: July 3, 2020, 8:44 am
Firmly at the forefront of the progressive rock and metal scenes for nearly three decades now and one of modern rock's most acclaimed live acts, Sweden's PAIN OF SALVATION returns with a new studio album titled "Panther" on August 28 via InsideOut Music. The follow-up to 2017's "In The Passing Light Of Day" was recorded, mixed and produced by Daniel Gildenlöw with Daniel Bergstrand (IN FLAMES, MESHUGGAH, DEVIN TOWNSEND) and comes with a comprehensive artwork-theme with illustrations made by André Meister. The official Lars Ardarve-directed music video for the album's first single, "Accelerator", can be seen below. Gildenlöw stated: "It has been brilliant to work with Lars for a video, after all these years of photographing. We think alike and always have a blast when we work together. We had three very long days of shooting it, only Lars and us in the band in Skjulstahallen, a large gymnastics hall kindly provided by IKEG. As per usual, I found myself in weird situations, like making high flips and jumps over Lars's head. We are very happy with this video and think it's the perfect kickoff for the 'Panther' album." "Panther" track listing: 01. Accelerator 02. Unfuture 03. Restless Boy 04. Wait 05. Keen To A Fault 06. Fur 07. Panther 08. Species 09. Icon In addition to the standard CD and the digital album formats, "Panther" will also be available as limited 2CD mediabook (including expanded artwork and the following four bonus tracks on a separate disc: "Panther (demo)", "Keen To A Fault (demo)", "Fifi Gruffi" and "Unforever") and as 180-gram gatefold 2LP (including the four bonus tracks on Side D and album on CD as bonus). Gildenlöw checked in with the following comment about "Panther": "The making of 'Panther' has taken over two years. I have felt the need to push boundaries, both musically and sonically. Approaching the music from more diverse angles, yet without losing the core identity of the band. Lyrically it coincidently fits more than ever into current times. When I look at the great artwork drawings that went into the concept, I can only say that I am extremely happy how everything turned out. I can't wait to share this album with everybody." PAIN OF SALVATION is: Daniel Gildenlöw - lead vocals and lots of stuff Johan Hallgren - guitar and vocals Léo Margarit - drums and vocals Daniel Karlsson - keyboards, guitars and vocals Gustaf Hielm - bass and vocals
Posted: July 3, 2020, 8:14 am

 

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