July 9, 2013 playlist



The Barry Gray Orchestra “Joe 90 (Main Theme)” from No Strings Attached (Sanctuary Records)Buy it!


Clutch “Impetus” from Impetus – EP (Earache Records Ltd)Buy it!


The Faceless “Planetary Duality II – A Prophecies Fruition” from Planetary Duality (Sumerian Records)Buy it!


Shroud Eater “Lord Of The Sword” from Dead endsBuy it!


YOB “Adrift In the Ocean” from Atma (Profound Lore)Buy it!


Windhand “WINTER SUN” from Windhand (Forcefield Records)Buy it!


The Sword “Lament for the Aurochs” from Age of Winters (Kemado Records)Buy it!


Krallice “Dust and Light” from Diotima (Profound Lore)Buy it!


Pallbearer “FOREIGNER” from Sorrow and extinction (Profound Lore)Buy it!


Hull “Healer” from Sole Lord ((RED) The End)Buy it!


Elder “White Walls” from Elder (Forge Again Records)Buy it!

Eistnaflug 2013: “it’s a big family meeting for the Icelandic metal scene”

Eistnaflug 2013

The name of the festival isn’t easy for non-Icelandic speakers – Eistnaflug. The name of the little town (which doubles its population of 1500 when the event takes place) on an isolated fjord where the festival takes place is even harder – Neskaupstaður. But apart from linguistics, that’s really where all the stress ends with this festival. If you do decide to undertake this adventure, you’ll be rewarded with one of the coolest, most chilled-out atmospheres in any festival, ever. With 24 hour daylight, a welcoming party of smiling, peacefully drunk Icelandic metalheads and all the best talent the rich local scene has to offer, plus with a couple of big international bands to spice things up, the three days will just zoom by and you’ll never want to leave.

Eistnaflug Crowds (Pic: Stebba Ósk)

Eistnaflug Crowds (Pic: Stebba Ósk)

Terrorizer has been to Eistnaflug before (here’s what went down last year), but don’t just take our word for it – take it from someone who’s been to every edition of the festival so far, and who’ll probably be at every single future one too, Sólstafir’s drummer, Guðmundur Óli Pálmason. “Eistnaflug is like a big family meeting for us and for the whole Icelandic metal/rock scene. It’s our favorite festival in the world. Ever!” he says enthusiastically, knowing the time is nigh for yet another visit to Neskaupstaður. “The location and the attitude are what makes it so special. It’s in a small, isolated town, which is in a long and narrow fjord with steep mountains on each side, and the sun never sets and everyone gets along perfectly.” Gummi also has created his own personal tradition of jumping off the pier down by the main venue, so watch out for that. It will happen, and it’s a must-see attraction.

Sólstafir (pic: Stebba Ósk)

Sólstafir (Pic: Stebba Ósk)

As for the bands this year, apart from the country’s biggest metal stars Sólstafir themselves, you also get rising death metal titans Angist, this year’s Icelandic Wacken Metal Battle winners Ophidian I, amazing stoners The Vintage Caravan, furious rockers Dimma and local folk phenomenon Skálmöld, besides the foreign attractions Hamferð, The Psyke Project and, get this, Red Fang. That’s right, Portland’s superstars will be rocking out like there’s no tomorrow at Eistnaflug and, well, for them it’ll probably really feel like there isn’t. “This is the last show of our tour, and we plan to go out with a bang!” says bassist vocalist Aaron Beam. “We will have played 14 shows in 13 days leading up to our trip to Iceland, so first off I am really looking forward having a full day off to do whatever I choose (aka the Blue Pools). Also I can’t wait to see Brain Police again. We became fast friends at the 2012 Desertfest in Berlin – those guys rule!”

Gummi also mentions Potentiam, Momentum, Kontinuum, Saktmóðigur, AMFJ, Legend and Singapore Sling as other names to keep an eye and an ear out for, but overall it’s the whole experience that’s really the star of this unique festival. Oh, and don’t just stick to the main venue, either. Walk a few minutes down the road and you’ll come to an abandoned factory… where you will be dared to Enter the Mayhemisphere! “The off-venue, Enter the Mayhemisphere, is totally worth checking out,” Gummi says. “The atmosphere is totally different from the main venue, with young underground artists (including myself) showing their art and more underground bands playing in a rough, cold, smoke filled environment. We played a special show there last year and it was one of our best gigs. We’re planning to do that again this year.”

Skálmöld (Pic: Stebba Ósk)

Skálmöld (Pic: Stebba Ósk)

You don’t need any convincing if you’re Icelandic, because you know better and you’re already going, but if not, go on with it. Get on a plane to Reykjavik, there’s a few low-cost flights there that won’t break your bank, and then just catch an even cheaper local flight to Neskaupstaður or ask for a ride on the festival’s Facebook page. It’s that simple. The most chilled-out crazy adventure you’ll ever have.

Words: José Carlos Santos

VHÖL Review

VHÖL Review0

Posted in Blog

Alright, let’s the get the introductions out of the way first. This is VHÖL, a “super-group” of sorts originally started by John Cobbett (Hammers of Misfortune, Amber Asylum) and Aesop Dekker (Agalloch, Worm Ouroboros) after the incredible Ludicra called it a day (sigh). Mike Scheidt of YOB was brought on board to lend his discernible vocal skills to the project and Cobbett’s colleague from Hammers of Misfortune and Amber Asylum Sigrid Sheie joined on bass. And lo, VHÖL was born.

The sound of VHÖL is a little harder to pinpoint than their origins and with such a diverse group of musicians there’s always the chance that too much will get thrown into the mix – too many cooks spoil the broth – and whilst with VHÖL there’s the obvious nods to black metal, to thrash, to progressive metal, to hardcore by way of d-beat, at no point does that become overwhelming or overpowering. VHÖL’s strength lies in the abilities of the musicians involved – Scheidt’s voice is powerful and commanding and here he lets loose with a glorious abandon, wailing and rasping and lifting the sound beyond mere heavy metal whilst the guitar of Cobbett soars above the tracks adding depth and nuance whilst a tangible grungy dirtiness flows through the filthy bass lines of Sheie. VHOL-cover-art

Album Art by John Cobbett and Kevin Gan Yuen
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